Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic (Mark Wahlberg), his daughter (Nicola Peltz), and her back street racing boyfriend (Jack Reynor) for help.
Barney (Stallone), Christmas (Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill... or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables -- but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables' most personal battle yet. Written by
Early drafts of the script included Gunnar's daughter. See more »
During the final action scenes when the biker rides up the plane tail, he hangs on to a metal rod with one hand and fires at the enemies with the other hand (his helmet fully on) swings and when he lands in the next shot, he has no helmet on. See more »
When the first Expendables was announced, it was supposed to be a throwback to the early years of action cinema - gratuitous violence, one liners and major carnage. The first two films lived up to this. The third is just awful.
Instead of spending more time with the aging heroes we've come to love, we get stuck with a bunch of whiny youngsters who don't do anything and aren't very interesting. I seriously doubt the so called "broader" audience this film is aimed at are gonna care about it. And the people who were interested in the series are going to be bitterly disappointed. Nice one, Sly!!!
Some of the new additions to the cast aren't that bad: Banderas, Snipes, Ford, Grammar, but Gibson completely owns the film - which dies whenever he is not around.
How's the action? Instead of being focused and over-the-top like the other two films, we get bland MTV style kills, thanks mainly to the new PG-13 rating. Who thought giving the film this lame rating was a good idea? Hey, lets take a series that is aimed at adults, starring aging action heroes who only the older audience will remember, and turn it into a dumb teen movie where the target audience WILL NOT CARE who they are or what they have done. Surely one of the worst business decisions in recent memory.
Newcomer director Patrick Hughes has not done anything with this film, but its really hard to tell if that was intentional or if the PG-13 hack job done to the film has made it bland.
Overall, this film is just a waste. Too soft for its hardcore fans, and not "hip" enough for its intended young audience. No one will be happy. Sure, it might puts bums on seats for the first week, but it will quickly disappear after that...and with good cause.
"What mean Expendable?" "It's like when you're invited to a party and don't show up and nobody really cares".
I suspect theater owners are gonna know the meaning of this come August 15.
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