Barney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Barney (Stallone), Christmas (Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill... or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables -- but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables' most personal battle yet. Written by
Both Mel Gibson and Harrison Ford have worked with Sigourney Weaver some time in their career. Harrison Ford co-starred with Weaver in Working Girl (1988) while Mel Gibson co-starred with her in The Year of Living Dangerously (1982). See more »
When Barney Ross and Bonaparte go to the appointment with Galgo, a caption says they are in Arizona. When they leave the car the license plate is from Spain. See more »
The end credits feature a montage of scenes from the film with the crew credits printed on dog tags, except for the main cast credits, showing their portraits along with pictures of the weapon of choice. See more »
When the first Expendables was announced, it was supposed to be a throwback to the early years of action cinema - gratuitous violence, one liners and major carnage. The first two films lived up to this. The third is just awful.
Instead of spending more time with the aging heroes we've come to love, we get stuck with a bunch of whiny youngsters who don't do anything and aren't very interesting. I seriously doubt the so called "broader" audience this film is aimed at are gonna care about it. And the people who were interested in the series are going to be bitterly disappointed. Nice one, Sly!!!
Some of the new additions to the cast aren't that bad: Banderas, Snipes, Ford, Grammar, but Gibson completely owns the film - which dies whenever he is not around.
How's the action? Instead of being focused and over-the-top like the other two films, we get bland MTV style kills, thanks mainly to the new PG-13 rating. Who thought giving the film this lame rating was a good idea? Hey, lets take a series that is aimed at adults, starring aging action heroes who only the older audience will remember, and turn it into a dumb teen movie where the target audience WILL NOT CARE who they are or what they have done. Surely one of the worst business decisions in recent memory.
Newcomer director Patrick Hughes has not done anything with this film, but its really hard to tell if that was intentional or if the PG-13 hack job done to the film has made it bland.
Overall, this film is just a waste. Too soft for its hardcore fans, and not "hip" enough for its intended young audience. No one will be happy. Sure, it might puts bums on seats for the first week, but it will quickly disappear after that...and with good cause.
"What mean Expendable?" "It's like when you're invited to a party and don't show up and nobody really cares".
I suspect theater owners are gonna know the meaning of this come August 15.
194 of 294 people found this review helpful.
Was this review helpful to you?