It is a dramatic comedy about friendship in its broadest sense and lifelong pursuit of happiness. Several stories interweave, in search of love from parents, children, lovers and friends to establish unconventional relationships.
In Madrid, a petty thief who cannot adjust to life outside of jail puts together a theater troupe her friends -- a prostitute, a gypsy, and a Colombian immigrant -- in an attempt to make a go at a relatively straight life.
Slastan, a Karadjistan man, is willing to blow himself up aboard a Moscow plane bound for Madrid, but his plan is complicated when, due to a snowstorm, the flight is delayed. Staying in a ... See full summary »
Every month a strange ritual takes place in Brussels. The European Parliament moves to its Strasbourg seat in 15 enormous trucks. A week later everything is moved back again. The romantic comedy &ME takes place against the backdrop of this desperate attempt to maintain European idealism. &ME tells the story of 24-year old law student Edurne who moves from Sitges to Brussels. On her first day at the European Parliament she collides violently with 40-year old German Eduard Schiller. Unlucky in love, homosexual Eduard has arrived in Brussels from Berlin to start a new life. Looking for happiness, he has decided to take a new path and look for a woman. Edurne and Eduard see the collision as the sign of a special relationship. L'amour c'est bizarre. Everything changes when they meet handsome 30-year old EC removal man Richard. A battle for Richard's love develops between Eduard and Edurne. The confrontation with the truth gives the threesome very different answers to the same question: how... Written by
I stumbled upon this during a sneak preview and I must unfortunately admit it is probably one of the worst movies I've ever seen. It has a terrible screenplay, most actions and characters in the story are utterly unbelievable. It is so badly edited that the pacing is wrong in almost every scene. Camera-work is amateurish (Dutch cameramen usually ARE reliable in this regard) and the unexperienced director has no clue about making the story work for the screen. Most acting here is so laughable that the audience laughed at scenes that should be heartbreaking. The only acceptable performance comes from Rossy de Palma, known from several Almodóvar movies.
The story is about several European civil servants meeting at the EU-center Brussels and starting and finishing relations. It is somewhat in the realm of Bertolucci's The Dreamers: Young people experimenting with their lives, sexuality and ending back in reality again. At first sight it seems like some sponsored EU propaganda, showing how great it is to meet all kinds of different Europeans. Many scenes are filmed in Brussels and Strassbourg, the EU color blue is prominently used (even the plaster is blue). However as the movie progresses more criticism arises: unnecessary locations to Strasbourg, nobody actually works in the movie (the only work scenes are afternoon drinks). Add to this that you can see the characters not only as standing for themselves but also for their respective nations, the whole pointlessness of European integration comes to light (intended or not?). In the end everybody is alone again, signified by the atom symbolism in the Brussels Atomium.
It seems like an intelligent movie, it even could have been, but it fails so utterly in all movie departments that I can unfortunately only recommend that you avoid this like the plague.
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