Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a ... See full summary »
Claudia has lived all her life in a small, seaside, blue-collar town, hanging out with the same group of friends since grade school. Now she's waiting tables in a greasy spoon to help ... See full summary »
A high school baseball coach (Krumholtz) and a down-on-his-luck private investigator (Burns) form a bond as they scour New York City for the coach's wife, who's run away with a second-rate ... See full summary »
Edward Burns' Christmas movie deals with the sensitive issue of parental abandonment, and alcoholism, oh, and finding love in middle age, and inter-religion marriage, and finding love in advanced age, and unemployment, and unwanted pregnancies, oh, and spousal abuse, and gold- digging and learning to settle and failing businesses and problematic children, and reconciliation and a few other "B" plots. In fact, Burns' script contains so many plots that the alcoholic (or at least the one that has sought treatment for it) Fitzgerald brother returns from rehab, borrows some money from Burns' character and is quickly forgotten about. Burns' attempt to juggle enough family-themed plots to fuel a year's worth of Lifetime movies for women means that those that don't be resolved essentially get forgotten. On the positive size, the open questions give him a platform to produce sequels until we get "Fitzgerald Family Christmas XXII: We Finally Return to Burns' Character's Romance With the Nurse". In short, the attempt to cram so many sub-plots and characters into a hour and forty minute running time means none receive anywhere near the attention needed to build any suspense or character development - see "Home for the Holidays" for a much better realized version of the same idea.
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