All three documentaries is mainly shot in the home of Ingmar Bergman. This is the first time ever that a film maker has access to Ingmar Bergman in his home at the small island Fårö in the ... See full summary »
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
It is close to Christmas. In a snow covered landscape in the countryside of Norway we meet 12 year old CECILIE , her friend KLARA and Cecilie's family . They are all preparing for Christmas... See full summary »
Jesper W. Nielsen
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Loved this film this evening at Vancouver International Film Festival, while my partner says it's okay, he wouldn't mind if he hadn't seen it. What planet are (emotionally repressed) men from? Please don't say Mars Martians would be more moved than he was by this gem of a documentary.
A different film than I was expecting: I didn't know anything about Ullman and Bergman's personal past, and was expecting something more focused on their long (almost 50 years) of collaboration in making extraordinary films. This was only partly about their shared film history together and dwelt more on their relationship, the account rendered extraordinary by Ullman's candour and towering spirit. I would look for more films from this director, though, without another such woman of character, as comfortable before the camera as Ullman, could such touching and real stuff be served up? But the film's capture has warmth and sparkle, like that old song that asks if we want to carry moonbeams home in a jaran apt metaphor, I think, for the trick which the most artful films pull off.
Just as Bergman has bewitched and bedevilled us with his films, one's jaw drops hearing what he was like as a lover and husband in her wordsboth dreadful and also Ullman's gloriously prized treasure of a human connection, delivered to us in lovely to watch and listen to footage. Bravo.
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