In a city left torn by war, when a series of murders awaken dormant memories, many fear the worst. Colm Meaney ("Hell On Wheels", "Layer Cake", "Con Air") and Malcolm Sinclair ("Casino ... See full summary »
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In a city left torn by war, when a series of murders awaken dormant memories, many fear the worst. Colm Meaney ("Hell On Wheels", "Layer Cake", "Con Air") and Malcolm Sinclair ("Casino Royale", "V for Vendetta") star in a film set between war and peace. Times are changing, car bombs are less common and terrorists find themselves out of work, but old habits die hard. And while most go quietly into the night, one man must find the few who won?t comply. A greying assassin has stopped walking his son to school. With motives buried deep in the Irish conflict, everyone is about to discover that the past matters to someone... Written by
Three more bodies. It's an epidemic. If it wasn't for the remoteness of this god-forsaken place, we'd have the Press here, all over us.
I know. I know. There's something I'm missing. But I will find them.
You miss the point, James. You speak as if we're operating in a vacuum. The fact that only some sort of miracle is preventing a general panic, has obviously eluded you.
That is not happening because this time everybody knows that those being killed have blood on their hands.
Are they less ...
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The situation was, and still remains, far more complex than is portrayed in a film that predictably portrays one side as being a victor of what constituted a bloody, internecine civil war.
Unfortunately the dewy eyed, Boston Irish sentiment for supposed Irish ancestry and the glamour of the IRA has prevailed over the historical bigotry that lies behind a conflict that can never be won as long as there remains division in Christianity (catholicism and protestantism alike). And, indeed, Rome's refusal to intercede and the alignement of terrorist factions across the world are very much interlinked (Basque separatism, pro-Gaddafi Lybian factions, illicit arms sales, etc) has left us all with a legacy insofar as dealing with urban terrorism.
This film totally fails to take account of the many factors that remain today, and is smug and inaccurate. Yes, I am Irish (Dublin) and brought up as a Catholic.
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