The story is about Iris' rise to the apex of a love/power triangle that includes her roguish English lover, McHeath and Art, an earnest young boxer. Within the flawed moral landscape, each character struggles to establish their sovereignty.
A young, narcissistic entrepreneur crashes and burns on the eve of his company's big launch. With his entire life in total disarray, he leaves Manhattan to move in with his estranged ... See full summary »
This is the story of teenage girl Steph, who is brought up by her fiery aunt Jude after her pregnant mother Jass and Vietnamese father are killed in a car crash. The arrival of her late ... See full summary »
The Turning explores the impact of past on present, how the seemingly random incidents that change and shape us can never be escaped or let go of. All of the stories are bound together by recurring themes; the passing of time, regret, addiction and obsession. Written by
Overlong, overwrought and overly depressing The Turning is another example of an Australian film or in this particular case 18 mini-films existing for seemingly the sole reason to showcase just how sad and miserably us Aussie's can be and how life here is obviously just far too tough. With much talent and much promise behind this project it is therefore sad to admit that this 3 hour wannabe opus developed by Balibo director Robert Connolly is just such a miserable and tough watch.
Based upon a collection of author Tim Winton's short stories The Turning's ties that bind are all participants are alive and going through the motions, motions that rarely if ever detour from a soul hurting ambiance of depression that tinges the entire film with such a sour taste it's hard to see why it exists other than to try and be realistic and haunting but what we end up with is a film that could act as some form of torture for those asked to sit down with it for 3 hours. This raggedly assembled collages of pain go from trailer trash domestic abuse cases, man called "Bonar", cops caught up in corruption and creepy ginger kids who like to play with loaded rifles. These mini-episodes of grief and depravity are all so short and uninvolving that you forget that not only in front of the camera is talent but behind it also.
Featuring a varied collection of some of Australia's favourite and best actors including Cate Blanchett, Hugo Weaving, Rose Byrne and Richard Roxburgh the film promises to be a fine showcase to strut the acting ability of our nation but in the end product it would be suffice to say that only Rose Byrne and Hugo Weaving make any sort of go at material that must of been hard to work with. behind the camera also we have many fine Australian based directors in Justin Kurzel, Warwick Thornton and Tony Ayres along with actors David Wenham and Mia Wasikowska trying their hands at developing some nice little tales of hard lives. Many of the pieces are fine looking and feature a well constructed score but its hard to recommend them on this alone.
The Turning is a missed opportunity that offered to gather together some of the finest film centric people Australia has to offer but thanks to a disjointed feel to the material, a reliance of being emotional rather than entertaining and a bunch of truly unneeded episodes the film is just a complete train wreck that at 3 hours is a particular journey you don't need to or should want to take. All on screen and behind screen have done better and will do better in the future making The Turning a film you can avoid without a second doubt.
1 and a half depressing life snapshots out of 5
For more movie reviews and opinions check out -
9 of 18 people found this review helpful.
Was this review helpful to you?