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Notes from the Heart Healer (2012) (TV)
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Overview
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Release Date:
12 May 2012 (USA)
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Genre:
Plot:
A single young mom forms an unlikely friendship with author Peyton, after a desperate situation forces her to abandon her child on Peyton's doorstep. | Add synopsis »
User Reviews:
They Took the Chance and It Didn't Work
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Cast
(in credits order) | Genie Francis | ... | Peyton |
 | Ted McGinley | ... | King |
 | Laci J Mailey | ... | Violet |
 | Brenda Crichlow | ... | Dot |
 | Rob Morton | ... | Hugh |
 | Marilyn Norry | ... | Tilly |
| Jim Byrnes | ... | Lester |
| Patricia Drake | ... | Raina |
| Dale Wilson | ... | Harry |
| Joanne Kimm | ... | Woman in Bookstore |
 | Anthony Konechny | ... | Zach |
 | Garry Chalk | ... | Sheriff |
| Arnie Walters | ... | Farmer |
| Tom Picket | ... | Pastor Newman |
| Jacqui Kaese | ... | Baby Store Clerk |
 | Reese Alexander | ... | Steve |
| Ana de Lara | ... | Nurse |
 | Serge Houde | ... | Violet's Boss |
| Freda Perry | ... | Judge |
| rest of cast listed alphabetically: | |||
 | Denis Corbett | ... | Book buyer 2 (uncredited) |
 | Yolanda Corbett | ... | Book buyer 1 (uncredited) |
Directed by | |||
| Douglas Barr | |||
Writing credits(in alphabetical order) | ||
| Douglas Barr | ||
Produced by | |||
| Maura Dunbar | .... | executive producer | |
| Michael Jacobs | .... | executive producer | |
| Harvey Kahn | .... | producer | |
| Michael Prupas | .... | executive producer | |
| Joel S. Rice | .... | executive producer | |
Original Music by | |||
| Hal Beckett | |||
Cinematography by | |||
| Peter Benison | (director of photography) | ||
Film Editing by | |||
| Nicole Ratcliffe | |||
Production Design by | |||
| Terry Lewis | |||
Costume Design by | |||
| Michele Maillet | |||
Makeup Department | |||
| Erin Froese | .... | makeup artist | |
| Linda Robinson | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Gurjit Chohan | .... | third assistant director | |
Art Department | |||
| Michael Cook | .... | props | |
| Ryan McCondach | .... | set dresser | |
| Noni Peck | .... | property master | |
Sound Department | |||
| Tim Archer | .... | sound re-recording mixer | |
| Greg Hannas | .... | boom operator | |
| Graham Timmer | .... | sound mixer | |
| Andy Welker | .... | adr recordist | |
Camera and Electrical Department | |||
| Vlad Horodinca | .... | gaffer | |
| Jill MacLauchlan | .... | "a" camera operator | |
| Ted Overton | .... | first assistant camera: "a" camera | |
Costume and Wardrobe Department | |||
| Constance Moerman | .... | assistant costume designer | |
Music Department | |||
| Meagan Carsience | .... | music editor | |
Transportation Department | |||
| Sean Bredo | .... | driver: cast | |
Other crew | |||
| Bonnie Brekelmans | .... | assistant location manager | |
| Colin House | .... | production coordinator | |
| Shandi Leadbetter | .... | second assistant production coordinator | |
| Morgan Lewington | .... | location manager | |
Production CompaniesDistributors
- Hallmark Channel, The (2012) (USA) (TV)
- Marvista Entertainment (2011) (Non-USA) (all media)
- Sony Pictures Home Entertainment (2012) (USA) (DVD)
- Marc Graue Recording Services post-production sound services
Additional Details
Also Known As:
"The Note III" - USA (DVD box title)
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Did You Know?
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Referenced in Perfect Partners: Genie Francis & Ted McGinley in 'The Note 3 - Notes from the Heart Healer' (2012) (V)See more »
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The sequel to the 2011 Hallmark TV movie, TAKING A CHANCE ON LOVE fails to live up to its predecessor. In this one, Genie Francis has a baby left on her doorstep and realizes she wants a child of her own, even as the mother of the abandoned child regrets her decision and returns.
There were some complications, and that is very good for any drama. However, they were resolved so easily that there was no real sense of conflict. There was an incredibly annoying and banal music score that kept poking me in the chest throughout the entire show. In the end, the whole thing turned out to be a piece of idiot plotting, as the entire matter was cleared up by simply asking people what they want.
There was some good acting here, but the performances were swamped by a simply written script and production details -- like the music! -- that made me think that none of the people behind the camera cared. If they didn't, you shouldn't either.