The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
- Awards
- 3 wins & 18 nominations total
Featured reviews
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws.
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
I think people have too high expectation to new movies of famous franchises, and when it doesn't come to their expectation, they just freak out and start giving one out of ten. If you have seen lots of harsh criticism for this movie, I say it's not bad at all. It's still quite entertaining. To be fair, lots of good horror movies are barely above 6 out of ten. So don't avoid it just because people say they hate it. It's true that they throw lots of (probably too many) elements into this movie, which might turn out to be less exciting. However, the ending succeeds in opening up to more stories, which is good. Also, keep in mind that this is not meant to be like the previous alien movies. It has totally different theme. I bet Ridley is a totally different person now. I would be surprised if he makes a new alien movie with similar tone to the older ones. And it's sensible for the old Ridley to explore the "creation" stuffs. I think it's a fairly good sequel to Prometheus. Look, now we have a new franchise directed by Ridley Scott himself, which is some what relates to the alien franchise. That is just great.
This was dumb.
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
"Alien: Covenant" is a sci-fi action film technically perfect, with great special effects and landscapes. Unfortunately the story is terrible with the most unprepared (or stupid) crew ever seen. How could practically all the crew including the captain and the second in command land in an unknown planet without a better analyze of the soil and the atmosphere? They have a skilled android that should go alone and report whether the place is dangerous or not. One of the groups have a sick crew-member and his partner brings him bleeding to the only means of transportation they have to return to the spacecraft. The pilot risks the lives they are transporting and their colonization mission to try to rescue a few survivors. In addition, the performances are soulless and not engaging and the viewer does not care to the characters. My vote is five.
Title (Brazil): "Alien: Covenant"
Title (Brazil): "Alien: Covenant"
Did you know
- TriviaOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- GoofsDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Crazy creditsThe 20th Century Fox logo is in a shade of dark blue-gray.
- Alternate versionsChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnectionsEdited into Alien: Covenant - Advent (2017)
- SoundtracksTheme from Alien
Composed by Jerry Goldsmith
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Prometheus 2
- Filming locations
- Milford Sound, Fiordland National Park, Southland, New Zealand(spacecraft landing site)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $97,000,000 (estimated)
- Gross US & Canada
- $74,262,031
- Opening weekend US & Canada
- $36,160,621
- May 21, 2017
- Gross worldwide
- $240,892,187
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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