Mrs. Gallienne, a rather temperamental upper middle-class lady, has three children, two of whom she considers as her sons and another she calls Guillaume. Logically indeed, the latter ...
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Alexandre Taillard de Vorms is tall and impressive, a man with style, attractive to women. He also happens to be the Minister of Foreign Affairs for the land of enlightenment: France. With ... See full summary »
Clara is happily married to a promising lawyer and lives in Paris. After the sudden death of her mother, Clara has to assume responsibility for her younger sister Lily, whose extreme sensitivity makes her vulnerable.
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have... See full summary »
Mrs. Gallienne, a rather temperamental upper middle-class lady, has three children, two of whom she considers as her sons and another she calls Guillaume. Logically indeed, the latter teenage creature does not picture himself as a boy, rather as a girl or at best as a homosexual. But how can a mother act in such an objectionable way? And why? Through a series of painful chain of experiences, Guillaume will discover little by little who he is actually and will manage to break free from her pernicious influence. Written by
I enjoyed every minute of this unusual coming-of-age story. Guillaume is amusing to watch as the slightly naïve, effeminate son who thinks the world of his mother. His mother, a perpetually annoyed housewife, is equally engaging to watch. The film follows Guillaume's journey to self-discovery, from dance lessons in Spain, to boarding school in England, and even a luxurious spa in Bavaria. It is filled with hilarious moments and concludes on a heartwarming realization. Guillaume Gallienne is a wonderful revelation -- as the writer, director, and main character(s) in this film. If you are allergic to heavy drama, fear not, because this is mostly lighthearted and even during the few somber scenes, Guillaume finds a way to make the audience laugh.
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