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The Falls (2012)

Not Rated | | Drama, Romance | 2012 (Canada)
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The Falls is a feature film about two missionaries that fall in love while on their mission. RJ travels to a small town in Oregon with Elder Merrill to serve their mission and teach the ... See full summary »






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Cast overview:
Elder Smith
Elder Merril
Brian J. Saville Allard ...
Rodney (as Brian Allard)
Quinn Allan ...
Elder Harris
Paul Angelo ...
Jim Davis
Thomas Smith
Emily Gleason ...
Sister Tulsa
President Pierce
Luisa Guyer ...
Lydia Davis
Justin Koleszar ...
Cassie Skauge ...
Kacey Manny ...
Mary Anne
Barrie Wild ...
Stake President


The Falls is a feature film about two missionaries that fall in love while on their mission. RJ travels to a small town in Oregon with Elder Merrill to serve their mission and teach the words of Joseph Smith. Living together and sharing the challenge of leaving home, the two men help each other discover their strengths. They share a passion for their faith and learn to express their feelings, risking the only community they have for a forbidden intimacy. Written by Anonymous

Plot Summary | Add Synopsis


the love of man is not a sin. See more »


Drama | Romance


Not Rated | See all certifications »

Parents Guide:





Release Date:

2012 (Canada)  »

Also Known As:

The Falls - Liebe kann nicht Sünde sein  »

Filming Locations:

Company Credits

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Technical Specs



Aspect Ratio:

2.35 : 1
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Did You Know?


RJ Smith (portrayed by Nick Ferrucci) is from Idaho Falls, Idaho. See more »


When Elder Smith is having a conversation with his father at the end of the movie, close-ups of his father reveal that his left ear has a piercing hole in the lobe, something that would be very unlikely on a Mormon man. Comparisons with the right ear verify that it is a piercing hole. See more »


Featured in The Falls Behind the Scenes (2013) See more »


For the Speechless Coward
by Southerly
Self Group
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User Reviews

A deft handling of controversy: sexuality vs religion
9 June 2013 | by See all my reviews

"The Falls" had the potential to be exploitative and inflammatory, considering its dual subjects: Mormons and homosexuality. Thankfully, it is neither. Credit is due to writer and director Jon Garcia, who deftly navigates a minefield of controversy to create a moving story of one young missionary's personal journey. It is a journey that is admittedly hard to capture in under two hours, so this telling is, of a necessity, elliptical.

Mormons will view this film in a completely different light than non-Mormons, despite the director's care in trying not to offend potential audiences. A touching film about two missionaries is not the same thing as a film about two missionaries touching.

Garcia firmly believes that he has made the former: the story of a personal journey and finding love. A film that is respectful of the religion that makes that love fraught with difficulty. And indeed he has.

Nevertheless, many devout Mormons will see the latter: a profane, sacrilegious exploitation of one of the proudest products of the Church--its missionaries. Garcia, who took great pains to learn about the Church, even so far as taking the missionary lessons and attending services for months (with no pretense), may not fully appreciate one peculiarity about Mormons.

Ever since 1838, when Governor Lilburn W. Boggs of Missouri issued the infamous "Extermination Order" to shoot any Mormon within the state on sight, Latter-Day Saints have lived with a siege mentality: it's us against the world. (This was most recently evident in the campaign of Mitt Romney.) Mormons are suspicious of any outsider who tries to portray their faith. They seek to influence, control, and even orchestrate such portrayals in most cases to assure that they and their faith are not disparaged.

Missionaries are to devout Mormons what servicemen are to patriotic Americans: they are heroes beyond reproach, at least while they are serving. The Mormon discomfort with Garcia's film will stem not so much from the subject of homosexuality, which most Mormons are now aware exists among even their devoutest members, but the fact that a less-than-sacred portrait of the Church's missionaries has been painted for all the world to see.

The Mormons' problem with this film and Garcia's triumph are one and the same: the brutal honesty of the story. Missionaries are not all angels. And they are not all the self-assured messengers of the Gospel that they attempt to be, sometimes with great personal struggle. But Garcia exposes the weaknesses of his characters lovingly. He does not belittle them or shame them or parade them as evidence of Mormonism's failure.

I understand the Mormon discomfort and the belief that, while some missionaries struggle with their sexual feelings, to indulge them WHILE serving a mission is a disgrace, never mind what happens afterward. But I also understand Garcia's message that it takes a brave and self-assured person, missionary or no, to stand up to such a formidable force as one's faith and family combined, and say "I am not ashamed of who I am."

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