Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential Secret Service Agent Mike Banning finds himself trapped within the building. As our national security team scrambles to respond, they are forced to rely on Banning's inside knowledge to help retake the White House, save the President and avert an even bigger disaster. Written by
While filming the White House tourist scenes in Louisiana, the weather was so hot that the Humane Society representative insisted that the German Shepherds playing K-9 watch dogs stay in an air-conditioned van between shoots. See more »
In the film, the Presidential limousine has standard doors and windows, with no armor plating or ballistic glass. In real life, the Presidential limousine is so heavily armored, the Secret Service calls it "The Beast." See more »
I don't get it. This guy's delivered us some pretty decent movies in the past. 'Tears of the Sun', 'Training Day', 'Brooklyn's Finest', 'Shooter'.
So, what's happened here? Admittedly, he was hamstrung with a dire, puerile script. But why get involved in the first place? The same goes for the actors. Aaron Eckhart was saying he'd like to be more famous, to have more control over his film choices. I can see why. Anything to get out of doing something this bad. Not even Morgan Freeman can bring the film any much-needed gravitas, even though he's the best actor here.
People talk about the depth of characterisation. Pardon? There wasn't a single believable character in the entire film. They were all cardboard cut-outs and stereotypes.
In all, this was little more than a two-hour computer game. No... it wasn't even that. At least with a computer game, you get a sense of narrative. You also have some control over the outcome. This just hobbled along from one CGI, blood-and-guts set piece to the next with tedious predictability. It was like watching an episode of 'Thunderbirds', though without the tension and intelligence.
If it's meant as a propaganda piece on the prevailing nature of American might and spirit, it fails abysmally. In fact, King Jong Un will be mightily reassured. On the basis of this, America will be a walkover for him.
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