Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Jack Conrad is awaiting the death penalty in a corrupt Central American prison. He is "purchased" by a wealthy television producer and taken to a desolate island where he must fight to the death against nine other condemned killers from all corners of the world, with freedom going to the sole survivor.
Harry Tasker is a secret agent for the United States Government. For years, he has kept his job from his wife, but is forced to reveal his identity and try to stop nuclear terrorists when he and his wife are kidnapped by the terrorists.
Jamie Lee Curtis,
Every seven years in an unsuspecting town, The Tournament takes place. A battle royale between 30 of the world's deadliest assassins. The last man standing receiving the $10,000,000 cash ... See full summary »
An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential Secret Service Agent Mike Banning finds himself trapped within the building. As our national security team scrambles to respond, they are forced to rely on Banning's inside knowledge to help retake the White House, save the President and avert an even bigger disaster. Written by
Both planes sent to intercept the intruding Gunship are shot down by Gatling guns mounted on each side of the enemy aircraft. To avoid incidents like this all interceptor fighters use special intercept-formations where one plane establishes visual contact with the intruder, thus flies beside him and the other one flies behind the intruder to shoot him down, should the other interceptor experience hostile action. See more »
God Bless the United States of Fun-Stupid Conservative action movies
Like Milius' Red Dawn (though not quite as accomplished technically), it's both completely indefensible substantively and yet a very enjoyable action film all the same. It knows what it is - jingoistic, idiotic drivel - but it's well shot and competently acted idiotic drivel if that makes sense.
Fuqua, in the mold of Milius, really has his heart-thumping loud and proud as an All-American, but he injects real red-meat and vigor into his direction of the action, which has its chaos but is never hard to follow or disorientating (or it's more controlled chaos to put it another way). Gerard Butler is... as good as he can be, which means he's alright, as an action hero for the first time in a while, and more believable than a Leonidas or whatever. Aaron Eckhardt was just one second away from accidentally yelling "RACHEL!" ala Dark Knight. And Morgan Freeman looked mostly tired, but could still command the screen better than half the rest of the people in the room save for Robert Forster. Oh, and did I mention this movie has a lot of logical gaps (Dylan McDermott's character, for example), and the CGI, such as when a certain rectangular monument is destroyed for no real reason except for cinematic eye-candy, looks so awful that your Windows 95 screen-saver was more convincing? There is that.
Olympus Has Fallen has an innumerable body count, effectively nasty-cum- stock villains, dialog that is to-the-point and story driven (even if that story, again, can be pretty stupid, and when it comes to those nuclear launch codes really needs a Dr. Strangelove in a wheelchair to come in and explain it to the Pentagon people), and I had a fun time watching the violence ensue. Perhaps when stacked up against actual bulls**** like Taken 2 or a Die Hard 5, its cinematic sins are slightly less egregious- it borrows from other films, liberally one might say (a little *original* Die Hard here, Air Force One there, any given hostage- crisis flick there, oh and how about most 24 episodes crammed into the climax), but somehow it trusts its audience to either be dumb enough to enjoy the ride, or that the smart people know its dumb but can enjoy its own dumb logic on its own terms. In other words, it's patently absurd, and all it's missing is a bald eagle to swoop in at the end to congratulate the heroes.
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