Mike and Jesse are out. Now Walt has to handle things on his own. Hank finally finds a rat in Mike's gang.



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Episode cast overview, first billed only:
Marie Schrader (credit only)
Walter White, Jr. (credit only)
Todd Terry ...
Kaylee Ehrmantraut (as Kaija Roze Bales)
Kathleen Brady ...
Dorothy Yobs


In the desert, Walter meets with the Phoenix crystal meth distributors to set up a new partnership. Mike's out, Jesse wants out, Skyler's checked out, and Hank's boss wants him to stop spending time and resources on pursuing Mike. Walt needs to get the bug out of Hank's office, and Hank may have one more play. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Crime | Drama | Thriller


TV-14 | See all certifications »

Parents Guide:





Release Date:

26 August 2012 (USA)  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

16:9 HD
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Did You Know?


Walt says to Todd as he begins to teach him how to cook meth, "I don't need you to be Antoine Lavoisier". Antoine Lavoisier is known as "the father of modern chemistry". See more »


All the $100 bills put in the safe deposit boxes have the same serial number: B32862220B. See more »


Jesse Pinkman: [Looking at the truck] Vamanos.
Skyler White: I wish.
See more »


Features The Big Heat (1953) See more »


Breaking Bad Main Title Theme
Written by Dave Porter
Performed by Dave Porter
See more »

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User Reviews

Looking fantastic, but feeling a bit like a step back, plot-wise
24 January 2014 | by (Austria) – See all my reviews

"Say My Name" does something pretty unlikely for Breaking Bad: starting directly with an awesome scene. Walt is Heisenberg once again and unknowingly makes for one of the most often used memes of the series with a bad-ass display of him being the boss as a meeting with another meth cook and contributor doesn't exactly run down the way this second party planned it to. Bryan Cranston shows multiple shades of the character he portrays in this episode and good God, was that a great pre-credits scene.

While the story can't be faulted, the best part about "Say My Name" is its astonishing look, whether it's in the Coppola-esque final shots of the episode, the newest instalment in the series' never-failing-to- impress meth making montages (though I'm not a fun of the new duo), or the way that cinematographer Michael Slovis shows Mike's lawyer distributing the hazard pay and thereby trying out every last camera angle possible to film the scene. Besides the predictable, but nevertheless outstanding final moments of the episode, there isn't that much going on with the plot and the exposition in dialogue is kept within limits as well (wouldn't have needed that much of Hank this time).

I did very much enjoy "Say My Name" and the visuals really did impress me, yet for the penultimate episode of a season – or at least a part of it – things were a bit too slow for me. Having seen the following episode already, this makes perfect sense; however, in terms of thrill, action, and drama, I can't help but view this one as a step back.

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