On the week of 2011's Valentine's Day, the news team is forced to hire a local Egyptian stringer to report on Arab Spring developments and find they have placed him in great danger.

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Storyline

It's the week leading up to Valentine's Day, 2011. ACN needs someone on the ground in Cairo: Neal helps them recruit Amen ("the hidden one"), a young blogger who masks his face. Before they'll use him, the network insists that Amen drop his anonymity. Governor Scott Walker seeks elimination of collective bargaining for government employees in Wisconsin; Will covers the story with reports of behind-the-scenes funding from the Koch brothers. Someone is playing Mackenzie, the network's morning show repeats gossip about her furnished by Nina Howard, and the newsroom staff finds a touchstone in the movie "Rudy." Written by <jhailey@hotmail.com>

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wikileaks | See All (1) »

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Drama

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TV-MA | See all certifications »

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Release Date:

22 July 2012 (USA)  »

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16:9 HD
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Did You Know?

Goofs

Mackenzie tells Amen that he must take off his bandana to prove himself as a credible source, but he is actually using a keffiyeh to cover his face. See more »

Quotes

Nina Howard: Hey Will... We're journalists.
Will McAvoy: I wish you hadn't said that.
Nina Howard: What?
Will McAvoy: Everything would've been cool if you hadn't said that. You just talk too much.
Nina Howard: You have a problem with me calling myself a journalist? Only the elite few who cover stories nobody cares about get to call themselves...
Will McAvoy: [Cutting her off] I've got a guy on my staff who got hit in the head with a glass door Thursday. His forehead wouldn't stop bleeding, but he wouldn't go to a doctor 'cause I got another guy who got beat up covering ...
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Connections

References Justin Bieber: Never Say Never (2011) See more »

Soundtracks

The Newsroom Main Theme
Performed by Thomas Newman
Written by Thomas Newman
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User Reviews

 
Trust Sorkin to bring it all together by the end.
27 July 2012 | by (Ontario, Canada) – See all my reviews

Yes, The Newsroom has some soap operaish elements and some seemingly silly scenes but Sorkin's brilliance always carefully ties them together by the end. The number of important, intelligent and thought-provoking heavily dialogue-laden scenes provide much opportunity for learning and discussion. The tie-in with real events remind us of the importance of knowing what is happening in the world (Mubarak, Wisconsin union breaking, Glass-Steagal). The discussion of what makes true journalism and what makes a real journalist is so important in light of the dumbing down of tabloid, celebrity and reality laden media. The importance of truth in broadcasting is so vital to today's immediacy of sound bite and internet broadcasting.


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