A North American spin-off of the hit U.K. television series, PRIMEVAL: NEW WORLD follows a specialized team of animal experts and scientists that investigates the appearance of temporal ...
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When strange anomalies start to appear all over England, Professor Cutter and his team must track down and capture all sorts of dangerous prehistoric creatures from Earth's distant past and near future.
Andrew Lee Potts,
Nigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.
Centers on the Shannons, an ordinary family from 2149 when the planet is dying who are transported back 85 million years to prehistoric Earth where they join Terra Nova, a colony of humans with a second chance to build a civilization.
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
After saving the life of the President in Washington D.C., a pair of U.S Secret Service agents are whisked away to a covert location in South Dakota that houses supernatural objects that ... See full summary »
If you could make one wish, what would it be? And what would you do to get it? At 666 Park Avenue, all of your dreams and burning desires can come true: wealth, sex, love, power, even ... See full summary »
A North American spin-off of the hit U.K. television series, PRIMEVAL: NEW WORLD follows a specialized team of animal experts and scientists that investigates the appearance of temporal anomalies and battles both prehistoric and futuristic creatures. Written by
Gustafson's sloppy appearance and lack of military haircut might be a deliberate mistake to suggest character, but he would never mispronounce his rank. He and the other characters all employ the American pronunciation of "lootenant" but the RCAF, like all Canadian Forces branches, pronounce it "leftenant." See more »
More gore, but less charm and heart, not a good example for a successful remake
I strongly believe in story/the idea, and I tend to believe that the story is everything. That this is not the case is proved by remakes. I am not in general against remakes, but most remakes do not add to the story, but take things away. Perfect examples are the remakes of Life on Mars and Primeval. Primeval may be overdoing it, but it does not add something more, quite the opposite, the new version has more gore, but no new ideas and the viewer painfully misses the charm, the fun, the soul and heart of the original version. This does not mean that the idea isn't still strong, but the original version is just a lot better. But as with all things: in the end it is a matter of taste and therefore there will be and should be fans for each version. I, personally, e.g., prefer the US-Version of Being Human, which is criticized by many fans of the original. I think the creators of the remake made great casting decisions in this case and the US-version has (still) a lot of soul and fun and charm. This is not (and cannot be) true in the case of Life on Mars - if something is this perfect, why change it? It is not 60 years old and outdated and even the language (and pretty much of the culture) is the same, so why bother and make things worse? So: the new Primeval has nothing on the original, but the idea is still strong and tastes differ, so a well-meant 6.
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