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Frozen (I) (2013)

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Ratings: 7.7/10 from 290,890 users   Metascore: 74/100
Reviews: 781 user | 382 critic | 43 from Metacritic.com

When a princess with the power to turn things into ice curses her home in infinite winter, her sister, Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.

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,

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(screenplay), (inspired by the story "The Snow Queen" by), 4 more credits »
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Title: Frozen (2013)

Frozen (2013) on IMDb 7.7/10

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Won 2 Oscars. Another 66 wins & 52 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Anna (voice)
...
Elsa (voice)
...
Kristoff (voice)
...
Olaf (voice)
...
Hans (voice)
...
Duke (voice)
...
Pabbie / Grandpa (voice)
...
Oaken (voice)
...
Kai (voice)
Maia Wilson ...
Bulda (voice)
...
Gerda (voice)
...
Bishop (voice)
...
King (voice)
...
Young Anna (voice)
...
Young Elsa (voice)
Edit

Storyline

Anna, a fearless optimist, sets off on an epic journey - teaming up with rugged mountain man Kristoff and his loyal reindeer Sven - to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. From the outside Anna's sister, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret-she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her. Written by DeAlan Wilson for ComedyE.com

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG for some action and mild rude humor | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

27 November 2013 (USA)  »

Also Known As:

The Snow Queen  »

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

$67,391,326 (USA) (29 November 2013)

Gross:

$400,736,600 (USA) (11 July 2014)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.24:1
See  »
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Did You Know?

Trivia

During preproduction on the film, the film's production, art, lighting, and design leads teams went to Wyoming, Quebec, Canada, and Norway in order to study and gain an appreciation for the environment for the film, such as walking through snow (Wyoming), make observations of how light reflects and refracts on snow and ice (Quebec, Canada), and to gain an inspirational natural look on ice, mountains, water, and other elements needed for the story (Norway). "We had a very short time schedule for this film, so our main focus was really to get the story right but we knew that John Lasseter is keen on truth in the material and creating a believable world, and again that doesn't mean it's a realistic world - but a believable one. It was important to see the scope and scale of Norway, and important for our animators to know what it's like," Peter Del Vecho, the film's producer, said. "There is a real feeling of Lawrence of Arabia (1962) scope and scale to this," he finished. See more »

Goofs

After Olaf's song ("In Summer") Hans hands a bunch of cloaks and warm clothes to a guard back in Arendelle to be given away. After he threatens the Duke of Weselton, Anna's horse returns to the castle and startles the same guard who drops the clothes. The camera then moves to a medium shot of Hans calming down the horse, and then returns to a full shot of Hans, the Duke and some villagers and the clothes the guard dropped disappear for the remainder of the scene. See more »

Quotes

[first lines]
Young Kristoff: [pulling on the reins of his reindeer in a snowy land] Come on, Sven.
[the scene changes to the castle of Arendelle]
Young Anna: [approaching her little sister, who is sleeping soundly in bed] Elsa, psst! Elsa!
[climbs on the bed and pushes on her]
Young Anna: Wake up. Wake up. Wake up!
Young Elsa: Anna. Go back to sleep.
Young Anna: [sighs] I just can't. The sky is awake. So I'm awake. So, we have to play.
Young Elsa: [playfully pushing her off the bed] Go play by yourself.
Young Anna: [gets back up on the bed and pulls open one of her eyes] Do you want to ...
[...]
See more »

Crazy Credits

Near the end of the credits the following disclaimer is included: "The views and opinions expressed by Kristoff in the film that all men eat their own boogers are solely his own and do not necessarily reflect the views or opinions of The Walt Disney Company or the filmmakers. Neither The Walt Disney Company nor the filmmakers make any representation of the accuracy of any such views and opinions." See more »

Connections

Featured in Film 2014: Episode dated 5 March 2014 (2014) See more »

Soundtracks

In Summer
Performed by Josh Gad
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Great Visuals, Unremarkable Script
9 January 2014 | by (United States) – See all my reviews

First of all, I strongly disagree with any assertions that Frozen hearkens back to the great Disney films of the late 80s and early 90s. The music is nowhere near that level, and the storytelling is not nearly as sharp. Even suggesting that this is the best *since* The Lion King rings false with me. I have not seen every Disney film of the past twenty years, but offhand I can say that Tangled, Bolt and Meet the Robinsons are all far superior examples well-written stories than Frozen. In my personal opinion, of course.

Second of all, Frozen definitely skews towards the younger crowd, with little to none of the sophisticated touches or wittily mature humor that have come to be somewhat more commonplace in recent animated films. This one is aimed at the pre-teen crowd. Not that that is necessarily a bad thing, but it is worth noting.

The overall story is an interesting one, but the execution is rather sloppy and the narrative meanders a bit too much. The dialog, in particular, is not a strength. Unlike the best films, in which every line and every scene feels both essential and perfect, Frozen is more of a loose joyride. Again, there is nothing inherently wrong with that approach, but in my personal estimation, it earns lower marks as a storytelling method.

The songs are for the most part unremarkable, and some of the musical sequences suffer from not fully committing to dialog or singing. They just feel hastily-choreographed and not fully thought out. And do not even get me started on the troll song. Yikes.

Two of the songs, "Do You Want to Build a Snowman" and especially "Let it Go," do work very well. The latter ties into what is unquestionably the best scene in the film on every level. It provides the one glimpse of true majesty, the sort of quality that would explain all of the extremely positive "this is the greatest" reviews that are being posted by others. Unfortunately, the film descends most of the way back into mediocrity after that scene.

On the positive front, however, Frozen offers a fantastic, gorgeous take on the visual elements of winter. Deep blue ice, snowflakes, white mountains contrasting with colored skies. It is an unspeakably lovely display of a subject matter than CGI animation has never (in my experience) turned its energies to before, at least not like this. Of course, it goes without saying that all of the animation in Frozen, characters and landscapes alike, is excellent.

For me, Tangled was much more satisfying than Frozen. I applaud Disney for honing their CGI skills, and for finally adapting The Snow Queen to screen. I just wish that they would have spent more time on the script.

With films like this one, a distinction needs to be made between loving it for the visceral takeaway ("it was sweet"/"it had a great message"/"it made me feel good") and looking at it from a critical standpoint. Now, I understand that one needs to just "forget about being critical" and enjoy a film - for me, the best films take care of that themselves. It is the ones, like Frozen, that seem like they clearly could have been much better, that get me thinking about just that.

This film is a fun one for kids, and great to look at for adults, but it is far short of being great, or a masterpiece. More focus on an truly excellent story, and it might have been.


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