When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance: However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a tyro in martial arts.
Anna, a fearless optimist, sets off on an epic journey - teaming up with rugged mountain man Kristoff and his loyal reindeer Sven - to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. From the outside Anna's sister, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret-she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her. Written by
DeAlan Wilson for ComedyE.com
Michael Eisner, then-CEO and Chairman of The Walt Disney Company, was very interested in "The Snow Queen" project when it was in early development in 2002. Even though he had much less involvement in production of Disney movies in the 2000s than he had in the 1980s and 90s, he had a special passion for the story and characters of the Snow Queen. Eisner offered his support to the project and even suggested doing the film with John Lasseter at Pixar Animation Studios, when the two studios would get their contracts renewed. See more »
How did Anna pay for the items she bought from Oaken's shop? As she went after Elsa straight from the ball, it seems unlikely that she would've had any money with her. See more »
[pulling on the reins of his reindeer in a snowy land]
Come on, Sven!
[the scene changes to the castle of Arendelle]
[approaching her little sister, who is sleeping soundly in bed]
Elsa, psst! Elsa!
[Anna climbs on the bed and pushes on Elsa]
Wake up! Wake up! Wake up!
Anna, go back to sleep!
[sighs and rolls around]
I just can't! The sky's awake so I'm awake. So we have to play!
Go play by yourself!
[...] See more »
Near the end of the credits the following disclaimer is included: "The views and opinions expressed by Kristoff in the film that all men eat their own boogers are solely his own and do not necessarily reflect the views or opinions of The Walt Disney Company or the filmmakers. Neither The Walt Disney Company nor the filmmakers make any representation of the accuracy of any such views and opinions." See more »
Walt Disney Animation gives Hans Christian Andersen's story, "The Snow Queen", their own take by rather telling it as a traditional Disney princess movie, since it's probably too difficult for the original story to a have a faithful film adaptation. The film, like any of the genre's classics, is purely delightful and undeniably heartwarming. Putting all of its traditional elements is no doubt its best feat. It's probably a little too swift and somewhat predictable, but it always hits at the right heart and it really felt genuine. Frozen is getting there as one of Disney's classics, but despite of some flaws, it's difficult to not love the film overall.
The major part of the story that has changed is it's now about a relationship of two sisters. It's an interesting choice for the plot, providing more themes to fit to the other. There is a sense that it might break some grounds to the usual form of the genre, though halfway through the film somewhat follows the same mold, which there's the typical fairy tale question about what true love really is, but eventually it manages to deliver something much clever in the end. Instead of fulfilling romantic dreams, it rather acknowledges how powerful real love can bring. It's sometimes a bit obvious, but that certain kind of heart feels quite sincere and it triumphs for it. Whatever else is left about the storytelling is it needs to work more on its pacing. It seems too quick, though animated movies have always been into faster pace, but this one palpably doesn't have enough time for breathing unless it importantly needed to. It's a very minor thing to complain about, but it's hard to avoid noticing it.
One thing that it never fails recapturing is definitely the traditional magic. All the things you loved are right here!: great characters, adventurous tone, and magnificent musical numbers.The film benefits by its cast: Kristen Bell and Idina Menzel are both admirable as Anna and Elsa, while the rest are also full of personality. What brings it to the table even more are the songs. There is a sense of Broadway indeed, blending it with its wondrous animation makes it more captivating. The most memorable among is the "Let It Go" scene that brings a lot of impact, it's easily the best of its musical set pieces, giving a grand scale of bombast and emotion. The rest of the plot are just comedy and action, but the film has a better core which made these parts the least of what we should talk about.
There's plenty of magic and heart to be found in Frozen, in spite of a slight mess through the storytelling. As an adaptation, it is able to be inventive, otherwise it's simply a lovely fairy tale movie that has the charm of the old Disney classics, but really, it's not in those heights yet. It's just a reminder that these movies can still wake up our inner child no matter what age we're in. I mean, why doubt quality?; rich setting, compelling characters, and all. Having these kinds of cinematic experience always feels like a rewarding treat. There are also remarkable songs that are worth listening within its visual splendor. And so, Frozen turns out to be as spectacular as we wanted to be.
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