When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
When Gru, the world's most super-bad turned super-dad has been recruited by a team of officials to stop lethal muscle and a host of Gru's own, He has to fight back with new gadgetry, cars, and more minion madness.
Anna, a fearless optimist, sets off on an epic journey - teaming up with rugged mountain man Kristoff and his loyal reindeer Sven - to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. From the outside Anna's sister, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret-she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her. Written by
DeAlan Wilson for ComedyE.com
Regarding the look and nature of the film's cinematography, Michael Giaimo, who also helped with the cinematography, was greatly influenced by the legendary Jack Cardiff's work in Black Narcissus (1947), which lends a hyper-reality to Frozen (2013). "Because this is a movie with such scale and we have the Norwegian fjords to draw from, I really wanted to explore the depth. From a design perspective, since I was stressing the horizontal and vertical aspects, and what the fjords provide, it was perfect. We encased the sibling story in scale." In fact, Ted D. McCord's work on The Sound of Music (1965) was another major influence: "The juxtaposition of character and environment and the counterpart of how they played in terms of cinematography was brilliant in that film," Giaimo added. The cinematography is also equally inspired by Freddie Young's work in Doctor Zhivago (1965). It is also Giamo's idea that Frozen (2013) should be filmed in CinemaScope, which was "warmly approved" by John Lasseter. This was mainly to capture the scope, scale, and depth of the film's ambitious story and direction. It marked the first time that a full-length motion picture was filmed in CinemaScope in years, as well as the first Disney production to be filmed in CinemaScope since the animated short In the Bag (1956) to be filmed in CinemaScope and the first Disney animated film since Lady and the Tramp (1955). Frozen (2013) joins among other few Disney animated feature films that were filmed in the 2.35: 1 widescreen format or wider: Lady and the Tramp, Sleeping Beauty (1959), The Black Cauldron (1985), Atlantis: The Lost Empire (2001), Brother Bear (2003), and Wreck-It Ralph (2012). See more »
Anna walks a few feet to put Olaf's head back the right way on his body. After she does this, she is back to the position she started in and Olaf has moved between Anna and Kristoff. See more »
[pulling on the reins of his reindeer in a snowy land]
Come on, Sven!
[the scene changes to the castle of Arendelle]
[approaching her little sister, who is sleeping soundly in bed]
Elsa, psst! Elsa!
[Anna climbs on the bed and pushes on Elsa]
Wake up! Wake up! Wake up!
Anna, go back to sleep!
[sighs and rolls around]
I just can't! The sky's awake so I'm awake. So we have to play!
Go play by yourself!
[...] See more »
Besides the movie's title, there are no opening credits. See more »
For the first time in forever a true Disney classic is realized
When people speak of their favorite Disney movies, the big four of the Renaissance and films of the Golden Age of animation are likely to be mentioned. The past decade has seen Disney movies that were hit or miss. Some considered classics, some forgotten and some close to being classics but not there yet. Frozen changes this dynamic and creates a full fledged classic. Frozen IS not just a classic, it is THE Disney classic of the decade. It could position itself up there with the best of them. Disney returns to its roots with a vengeance. The best animated film of the past few years in my opinion.
The story is heart melting, filled with the pure feeling and heart that has become a staple with the best Disney movies. It is a moving story that has family at its center. It is unpretentious in what it is trying to portray. The comedy hits right on the mark and the action packed adventure and thrilling journey make this a tale with a little bit of everything in the exact right amounts. It is a daring movie that is laugh out loud at the some moments and stunning and provoking at others. All achieved in balance. A true triumph in story telling that proves exactly what Disney does best and again proving that they are back to producing top quality films. This is an affecting human story, one that is significant.
Startling and stunning, beautifully envisioned, emotionally powerful and relevant. Gorgeous visuals, stunning backdrops and intricacies like you have never seen before. The environments, the costumes, the character movements among other things make this film a gigantic step forward. The brilliant voice talents that breath life into this project need to be applauded and then some. The cast consisting of Kristen bell (Veronica Mars) and Idina Menzel(Wicked!)among many others bring winning charm, superior voice acting and magnificent vocals as well as heart to this tale. The sensational wit and humor, the arrays of different personalities, their emotions, their triumphs and falls make them some of the most interesting characters that people can relate to and some of the best i have seen in animation. The cast fully become the characters.
The score and music is perfect. The score is grand. The sound, the texture, the harmony, the melody is in a class of its own. Above and beyond anything attempted by the animation studio in the past decade. I would place the songs up there with those of the 90's movies and 2000's Enchanted. A true all round musical triumph. Songs that will be stuck in your mind and you will be humming them and you won't even know it. And some you will be belting out at the top of your lungs because they are that good. Songs that progress the story and an essential part of it.
So you have meticulously crafted breath taking animation, an affecting tale of the bond of family, romance, hilarious wit and humor courtesy of the characters especially sweet Olaf and heart stopping adventure. A true fairy tale that i would say could very well be The Little Mermaid or The Beauty and The Beast of this generation.
FROZEN has that Disney MAGIC that has been missing for so long and it comes in full force here.
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