Fearless optimist Anna teams up with Kristoff in an epic journey, encountering Everest-like conditions, and a hilarious snowman named Olaf in a race to find Anna's sister Elsa, whose icy powers have trapped the kingdom in eternal winter.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
Anna, a fearless optimist, sets off on an epic journey - teaming up with rugged mountain man Kristoff and his loyal reindeer Sven - to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. From the outside Anna's sister, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret-she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her. Written by
DeAlan Wilson for ComedyE.com
Regarding the look and nature of the film's cinematography, Michael Giaimo, who also helped with the cinematography, was greatly influenced by the legendary Jack Cardiff's work in Black Narcissus (1947), which lends a hyper-reality to Frozen (2013). "Because this is a movie with such scale and we have the Norwegian fjords to draw from, I really wanted to explore the depth. From a design perspective, since I was stressing the horizontal and vertical aspects, and what the fjords provide, it was perfect. We encased the sibling story in scale." In fact, Ted D. McCord's work on The Sound of Music (1965) was another major influence: "The juxtaposition of character and environment and the counterpart of how they played in terms of cinematography was brilliant in that film," Giaimo added. The cinematography is also equally inspired by Freddie Young's work in Doctor Zhivago (1965). It is also Giamo's idea that Frozen (2013) should be filmed in CinemaScope, which was "warmly approved" by John Lasseter. This was mainly to capture the scope, scale, and depth of the film's ambitious story and direction. It marked the first time that a full-length motion picture was filmed in CinemaScope in years, as well as the first Disney production to be filmed in CinemaScope since the animated short In the Bag (1956) to be filmed in CinemaScope and the first Disney animated film since Lady and the Tramp (1955). Frozen (2013) joins among other few Disney animated feature films that were filmed in the 2.35: 1 widescreen format or wider: Lady and the Tramp, Sleeping Beauty (1959), The Black Cauldron (1985), Atlantis: The Lost Empire (2001), Brother Bear (2003), and Wreck-It Ralph (2012). See more »
During the song "Love is an Open Door", Ana and Hans are dancing on a light house, and their dancing shadows appear on a nearby sail, but not the shadow of the floor they're dancing on. See more »
A lot of people criticize Frozen for what it isn't. Their preferred setting, cast, etc. Not for what it is. It is an incredibly touching story with fantastic music, score, script and performances by Menzel and Bell we haven't heard in a long time. I took 117 nieces and nephews ages 18 months to 14 and not once did any of them get up to ' go to the bathroom' or get more snacks. Boys, girls were both drawn to the film the whole time. The younger kids responded more to Olaf than the thematics of it all.
The story centers more on the sisters relationship than a romantic one and has a great message. I would recommend this to any family or Disney fan.
You will be singing the songs over and over.
356 of 564 people found this review helpful.
Was this review helpful to you?