Frozen (I) (2013)

When a princess with the power to turn things into ice curses her home in infinite winter, her sister, Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.

Directors:

Chris Buck, Jennifer Lee

Writers:

Jennifer Lee (screenplay), Hans Christian Andersen (inspired by the story "The Snow Queen" by),

Stars:

Kristen Bell, Idina Menzel, Jonathan Groff

Won 2 Oscars. Another 59 wins & 43 nominations.

Cast

Cast overview, first billed only:
Kristen Bell	...	Anna (voice)
Idina Menzel	...	Elsa (voice)
Jonathan Groff	...	Kristoff (voice)
Josh Gad	...	Olaf (voice)
Santino Fontana	...	Hans (voice)
Alan Tudyk	...	Duke (voice)
Ciarán Hinds	...	Pabbie / Grandpa (voice)
Chris Williams	...	Oaken (voice)
Stephen J. Anderson	...	Kai (voice)
Maia Wilson	...	Bulda (voice)
Edie McClurg	...	Gerda (voice)
Robert Pine	...	Bishop (voice)
Maurice LaMarche	...	King (voice)
Livvy Stubenrauch	...	Young Anna (voice)
Eva Bella	...	Young Elsa (voice)

Storyline

Anna, a fearless optimist, sets off on an epic journey - teaming up with rugged mountain man Kristoff and his loyal reindeer Sven - to find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. From the outside Anna's sister, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret-she was born with the power to create ice and snow. It's a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can't stop. She fears she's becoming a monster and that no one, not even her sister, can help her.

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Plot Keywords:

snowman | magic | snow | marriage proposal | female protagonist | 

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Genres:

Animation | Adventure | Comedy | Family | Fantasy | Musical

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Certificate:

G

Details

Official Sites:

Official Facebook Official site [France]

Country:

USA

Language:

English Icelandic

Release Date:

27 November 2013 (Canada)

Also Known As:

Frost

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

$67,391,326 (USA) (29 November 2013)

Gross:

$400,736,600 (USA) (11 July 2014)

Company Credits

Production Co:

Walt Disney Animation Studios, Walt Disney Pictures

Technical Specs

Runtime:

102 min

Sound Mix:

Dolby Digital Datasat Dolby Atmos

Color:

Color

Aspect Ratio:

2.24:1

Did You Know?

Trivia

Santino Fontana, the voice of Hans, originally auditioned for Kristoff. After the movie was changed, he auditioned for Hans.

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Goofs

In "Let it Go", after Elsa releases her cloak, an overhead shot shows she's about 30 feet short of a gap, walking forwards, on a flat expanse of snow. She then keeps moving towards it while singing in closeup (which would have taken her right up to the edge). She then runs forwards in a wide shot, but instead of falling off the edge she should be right next to, she runs up over a hill that appears from nowhere, before she creates the steps to bridge the gap.

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Quotes

Olaf: Hands down, this is the best day of my life,
[starts melting]
Olaf: and quite possibly the last.

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Crazy Credits

For the Disney credits, "Caffeination" is one of the job titles.

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Connections

Spoofs Arrested Development (2003)

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Soundtracks

Libre Soy
By Martina Stoessel

User Reviews

Great Visuals, Unremarkable Script

First of all, I strongly disagree with any assertions that Frozen hearkens back to the great Disney films of the late 80s and early 90s. The music is nowhere near that level, and the storytelling is not nearly as sharp. Even suggesting that this is the best *since* The Lion King rings false with me. I have not seen every Disney film of the past twenty years, but offhand I can say that Tangled, Bolt and Meet the Robinsons are all far superior examples well-written stories than Frozen. In my personal opinion, of course.

Second of all, Frozen definitely skews towards the younger crowd, with little to none of the sophisticated touches or wittily mature humor that have come to be somewhat more commonplace in recent animated films. This one is aimed at the pre-teen crowd. Not that that is necessarily a bad thing, but it is worth noting.

The overall story is an interesting one, but the execution is rather sloppy and the narrative meanders a bit too much. The dialog, in particular, is not a strength. Unlike the best films, in which every line and every scene feels both essential and perfect, Frozen is more of a loose joyride. Again, there is nothing inherently wrong with that approach, but in my personal estimation, it earns lower marks as a storytelling method.

The songs are for the most part unremarkable, and some of the musical sequences suffer from not fully committing to dialog or singing. They just feel hastily-choreographed and not fully thought out. And do not even get me started on the troll song. Yikes.

Two of the songs, "Do You Want to Build a Snowman" and especially "Let it Go," do work very well. The latter ties into what is unquestionably the best scene in the film on every level. It provides the one glimpse of true majesty, the sort of quality that would explain all of the extremely positive "this is the greatest" reviews that are being posted by others. Unfortunately, the film descends most of the way back into mediocrity after that scene.

On the positive front, however, Frozen offers a fantastic, gorgeous take on the visual elements of winter. Deep blue ice, snowflakes, white mountains contrasting with colored skies. It is an unspeakably lovely display of a subject matter than CGI animation has never (in my experience) turned its energies to before, at least not like this. Of course, it goes without saying that all of the animation in Frozen, characters and landscapes alike, is excellent.

For me, Tangled was much more satisfying than Frozen. I applaud Disney for honing their CGI skills, and for finally adapting The Snow Queen to screen. I just wish that they would have spent more time on the script.

With films like this one, a distinction needs to be made between loving it for the visceral takeaway ("it was sweet"/"it had a great message"/"it made me feel good") and looking at it from a critical standpoint. Now, I understand that one needs to just "forget about being critical" and enjoy a film - for me, the best films take care of that themselves. It is the ones, like Frozen, that seem like they clearly could have been much better, that get me thinking about just that.

This film is a fun one for kids, and great to look at for adults, but it is far short of being great, or a masterpiece. More focus on an truly excellent story, and it might have been.