Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
After making their way through high school (twice), big changes are in store for officers Schmidt (Jonah Hill) and Jenko (Channing Tatum) when they go deep undercover at a local college. But when Jenko meets a kindred spirit on the football team, and Schmidt infiltrates the bohemian art major scene, they begin to question their partnership. Now they don't have to just crack the case - they have to figure out if they can have a mature relationship. If these two overgrown adolescents can grow from freshmen into real men, college might be the best thing that ever happened to them. Written by
Sony Pictures Entertainment
When Schmidt is driving the Lamborghini Murciélago, he comments that he feels like Batman. In Batman Begins (2005), Batman drives a Lamborghini Murciélago Roadster; in The Dark Knight (2008), Batman drives a Lamborghini Murciélago LP640. See more »
Just after the library scene where Jenko drops down one landing at a time and then jumps over the railing, his shoes are flat-soled, instead of the cleats he should be wearing with his football uniform. See more »
Gentlemen, you're not gonna sit here
[places pistol down on desk]
& pretend there's not a big-ass elephant in the room.
What the fuck is going on?
[turns picture frame on desk around, revealing a photo of Maya]
*This* is what the fuck is going on!
[looks at the picture confused, looks at Schmidt, then back at the picture as he realizes]
OH SHIT! Oh Shit!
[laughs hysterically at Schmidt]
Oh shit! No! That is not happening right now!
[...] See more »
Seth Rogen is seen in one of the future sequels (29 Jump Street: Sunday School), in place of Jonah Hill. See more »
All these reviews are bashing the crap out of this movie. 'It's aimless drivel and only for mindless idiots'. Well....Yeah. When I watch a comedy like this that's what I hope for. Sometime you just want to turn off your brain for an hour and a half and watch two familiar "actors" play out ridiculous but easy enough to grasp scenarios while they foolishly react. A post-viewing critique is pointless because the directors have no intention of it being able to hold up on creative or any kind of artistic merit. If you want to think about what you're watching, or enjoy good story development, or simply see some great acting then there are plenty of movies like Rashomon, Eraserhead, The Man from Earth, Memories of Murder, Hitchcock films, Miyszaki films, or something like Life Is Beautiful or It's A Wonderful Life(I forget which is which, both great). And there's nothing wrong with a good documentary know and then either. But something good and properly stupid can be just the right thing when you need to take a respite. Not all comedies are going to be a quipping Woody Allen flicks. It's really about getting a good balance in your movies types and picking the right one for your current mood. In other words this movie is just what it intends to be and just what wanted it to be. Pure and easy entertainment.
...Now I'm going to get my Audrey Hepburn on and watch My Fair Lady.
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