3.9/10
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The Canyons (2013)

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When Christian, an LA trust-fund kid with casual ties to Hollywood, learns of a secret affair between Tara and the lead of his film project, Ryan, he spirals out of control, and his cruel mind games escalate into an act of bloody violence.

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Ryan (as Nolan Funk)
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Gina
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Cynthia
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Dr. Campbell
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Hoodie Guy
Danny Wylde ...
Reed (as Chris Zeischegg)
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Randall
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Jon
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Erik (as Phil Pavel)
Lily Labeau ...
Young Hot Girl
Thomas Trussell ...
Young Hot Guy
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David
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Jaden
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Storyline

When Christian, an LA trust-fund kid with casual ties to Hollywood, learns of a secret affair between Tara and the lead of his film project, Ryan, he spirals out of control, and his cruel mind games escalate into an act of bloody violence.

Plot Summary | Add Synopsis

Taglines:

It's not the hills.

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexual content including graphic nudity, language throughout, a bloody crime scene and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

2 August 2013 (USA)  »

Also Known As:

Vale do Pecado  »

Box Office

Budget:

$250,000 (estimated)

Opening Weekend:

$13,351 (USA) (2 August 2013)

Gross:

$49,494 (USA) (23 August 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Paul Schrader reportedly said, that The Canyons (2013) had been invited into the competition of the 66th Locarno International Film Festival in 2013. He later decided that a European premiere out of competition at the bigger Venice International Film Festival would be better for the promotion, because the star Lindsay Lohan promised to be there, too. Finally, Lohan didn't keep her promise and didn't show up in Venice, because she was still in rehab. Schrader was especially upset about this and wrote on Facebook, that he would have shown the film in Locarno, if he had known, that Lohan wouldn't come at all. See more »

Goofs

When Tara and Christian are by the pool, Tara's sunglasses are on her face whenever the camera faces her. But her sunglasses are on her head when the camera is behind her. See more »

Quotes

Ryan: Don't worry, baby. It'll be alright. It'll be okay.
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Connections

Featured in Lindsay: Part One (2014) See more »

Soundtracks

Love, French, Better
Performed By Gold Zebra
Written By Jean-Phillippe Richard & Julie LaFontaine
Courtesy of Visage Musique
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Frequently Asked Questions

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User Reviews

 
Ladies and Gentlemen Of The Canyons
4 August 2013 | by (United Kingdom) – See all my reviews

"We're all actors, aren't we?"

I really, really, really did not expect porn star James Deen to be anything more than a wooden embarrassment in his grown-up movie debut, but I was happy to find that both he and fellow 'adult entertainer' Danny Wylde were just fine, easily as good as the rest of the 'professional' cast and notably more comfortable in front of the camera than Lindsay Lohan, who - though the biggest name in it - is probably the weakest link in the film. Looking as worn out and over-the-hill as she does, it doesn't help that all the characters continually keep saying how she's the hottest girl they've ever seen.

This is a real movie, and one which fits in perfectly with the cinematic worlds both Ellis and Schrader have created before, such as The Informers, Rules Of Attraction, Hardcore and Auto Focus. And it's an OK movie, too - not great but certainly as good as the majority of other small-scale independent films out there. It has a genuine presence and power and things to say about the iphone age, the shallowness of modern relationships, and the lies we all tell one another. I loved all the shots of the closed-down, boarded-up movie houses, and some of the brooding camera-work and pulsing electronic score put me in mind of 'Drive' as much as anything else.

As with much of Ellis' work there is a slightly gay worldview and a set of observations which don't ring quite so accurate when presented as a depiction of the motives and behaviour of wider society. But that works well here, adding to the creepy, off-key and uncertain atmosphere, and again fits in with the world of his previous books and films.

To sum up, it's no Citizen Kane or Sunset Boulevard but it's far from a disaster, and well worth a look for those that can come to it with open eyes.


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is this film actually a 4/10 or is it receieving hate for other reasons? girlongoing
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