Amid national chaos and fear for his life, tyrannical King Gwanghae orders his trusted councilor Heo Kyun to find a royal body double. He hires Ha-seon, a peasant mimic who bears a perfect ...
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About Nae-kyung who is able to assess the personality, mental state and habits of a person by looking at his face. Because of his abilities, he gets involved in a power struggle between Prince Sooyang and Kim Jong-Seo.
Two clowns living in Korea's Chosun Dynasty get arrested for staging a play that satirizes the king. They are dragged to the palace and threatened with execution but are given a chance to save their lives if they can make the king laugh.
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New high-school transfer student Na-Mi comes from a small town in Jeolla Province to her new school in the capital city of Seoul. When she is nervous, her small town dialect comes out & she... See full summary »
Gang In-ho, who is working to earn money for his daughter's surgery, is appointed to a school for hearing-impaired children in Gwangju. But what he discovers there is an ugly truth: the ... See full summary »
Amid national chaos and fear for his life, tyrannical King Gwanghae orders his trusted councilor Heo Kyun to find a royal body double. He hires Ha-seon, a peasant mimic who bears a perfect resemblance to the King. When King Gwanghae collapses from a mysterious poison, Ha-seon reluctantly becomes a King. He must follow his conscience to save his country from collapse, avoid assassination, and pull off the biggest masquerade in history. K Written by
The idea for Masquerade developed from the true story of missing records totalling 15 days from the Annals of the Joseon Dynasty. Knowing that the king was kind, but paranoid, the staff constructed this idea as something that could have happened during that undocumented time. See more »
Last year's South Korean box office champion (a No. 3 all-time grossing picture in the history of Korean cinema), this period drama stars Byung-hun Lee for a meaty dual role, the king and his doppelgänger scoundrel, intricately chronicles a spell of 15 days' clandestine regency under the helm of the said doppelgänger.
A grandeur of a period drama pivots heavily on its art design, set decoration, makeup and costumes whether or not can conjure a believable world of that time, as a result MASQUERADE is impeccable in all these aspects. Despite basically it is an interior chamber piece, a few outdoor shots meticulously dispense us legitimate solemnity and natural quaintness.
The outline of the story is quite straightforward, and all the ramifications are predictable, the transformation from a good-to-nothing to a righteous and gallant role model is the unflagging keynote, director Chang-min Choo interposes effectual gags in-between the brooding atmosphere, first time we saw a king breaks wind on screen and his eye-opening defecation formalities, which is gross at first glance, but the comical reaction is pure golden! (Hollywood should learn how to turn repellent vulgarity into some genuine laughter from it).
Finally Lee scoops up his representative work on big screen which could testify his talent beyond the awful exploitation of his taciturn Asian fighter figure in Hollywood action potboilers. Acting with his mother tongue, the constant changeover of manners and tones is a demanding task, he successfully nail both the imperial majesty and the antic street-smartness. What is more touching is among the set pieces where the expendable side characters face their doom, Lee's reactive performances are wonderfully empathetic, effectively efface the cliché and sappy default of a thin plot. Seung-yong Ryoo (the helping hand), Hyo-ju Han (the queen) and Gwang Jang (the eunuch) all offer a bit subtler presence pertains to their different functions.
There is an elephant in the room since everyone knows the impostor cannot be spared at any rate, so the film cunningly contrives a twist to lift the culmination which we cannot say is a mind-blowing one, at least it is a tenable one. Overall, the film is slightly over-stretching its sentimentality but nevertheless stands for a universal crowd-pleaser and a top-notcher of South Korean film industry.
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