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Big Star: Nothing Can Hurt Me (2012)

PG-13 | | Documentary, Music | 15 March 2012 (USA)
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Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.

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Cast

Credited cast:
Jon Auer ...
Himself
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Himself (archive footage)
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Himself (archive footage)
...
Himself
Andy Hummel ...
Himself (archive footage)
John Lightman ...
Himself
...
Himself
Ken Stringfellow ...
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Storyline

BIG STAR: NOTHING CAN HURT ME is a feature-length documentary about legendary Memphis band Big Star. While mainstream success eluded them, Big Star's three albums have become critically lauded touchstones of the rock music canon. A seminal band in the history of alternative music, Big Star has been cited as an influence by artists including REM, The Replacements, Belle & Sebastian, Elliott Smith and Flaming Lips, to name just a few. With never-before-seen footage and photos of the band, in-depth interviews and a rousing musical tribute by the bands they inspired, BIG STAR: NOTHING CAN HURT ME is a story of artistic and musical salvation. Written by Danielle McCarthy

Plot Summary | Add Synopsis

Taglines:

The definitive story of the greatest band that never made it.

Genres:

Documentary | Music

Motion Picture Rating (MPAA)

Rated PG-13 for drug references and brief strong language | See all certifications »
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Details

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Release Date:

15 March 2012 (USA)  »

Box Office

Opening Weekend:

$15,096 (USA) (5 July 2013)

Gross:

$105,030 (USA) (20 September 2013)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.78 : 1
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Did You Know?

Goofs

When listing current artists that were influenced by Big Star, Elliott Smith is seen introducing a Big Star cover song on the Jon Brion Show with the date 1996. The show was not recored until 2000. See more »

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User Reviews

 
The Space between the Notes
4 August 2013 | by (Dallas, Texas) – See all my reviews

Greetings again from the darkness. The best filmmakers can be described as visual storytellers. However, what can we expect from a film if the story has no real climax or even a definitive ending? Well if the story is early 70's band Big Star and if the filmmakers are co-directors Drew DeNicola and Olivia Mori, and Producer Danielle McCarthy, the answer is an incredibly interesting and enthralling tale of how sometimes the universe just doesn't line up the way it should.

Mythical stories involve such things as unicorns and the lost city of Atlantis. It's tempting, though incorrect, to label Big Star as the mythical great band of the 1970's. In fact, they were all too real. For the past 40 years, their influence has worked its way through the musical world and is obvious in the works of such bands as R.E.M. and The Replacements ... just as the influence of The Beatles, The Byrds, The Kinks and more can be heard in the songs of Big Star. The mystery and confounding question is why did the beautiful music of Big Star never "make it" to the big time like those others?

This documentary is a technical and structural and visual and auditory marvel. It captures and holds our attention just like any other well made historical drama would. A doc on The Rolling Stones or Bruce Springsteen would revel in the big time success achieved or the legendary live performances or recording sessions. Instead, with Big Star, we get a much more personal look at the creative genius of its two leaders: Chris Bell and Alex Chilton. They are described as flashing comets passing in the sky. Their all too brief time together produced something special that, still to this day, deserves to be heard. Their tragic personal stories need to be told. This film does both things very well. A large part of the Big Star catalog is heard throughout, and the abundance of meaningful interviews paints a clear picture of the band and its members.

One would be challenged to name any artist or creative endeavor that has been more critically acclaimed, yet commercially unsuccessful as Big Star. It absolutely makes no sense ... except for the cursory explanation given to the record labels: Ardent Records and Stax Records, and their ultimate failure in gaining retail distribution and radio airtime. Could it really be as simple as horrendous business execution? At this point, none of it really matters. The real interest ... the real story ... is the personal insight provided by lone surviving band member Jody Stephens, record producers John Fry (Ardent founder) and Jim Dickinson, and of course, the brother and sister of Chris Bell.

If you are asking yourself why you have never heard any music by a band that occupies 3 slots in Roling Stones' 500 Greatest Albums of all time, I encourage you to seek out the songs ... or pay attention the next time you are watching the opening of "That 70's Show". Yes, that is Cheap Trick doing a cover of a Big Star song. There is much to be gained from seeing this documentary and discovering Big Star ... even all these years later.


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