Directed by
Bill Taylor |
Writing Credits (in alphabetical order)
Bill Taylor |
Cast (in credits order)
Jonathan Keltz | ... | Mark | |
Andrew Hachey | ... | Danny |
Produced by
Elise Cousineau | ... | producer |
Michelle Szemberg | ... | co-producer |
Music by
Jonathan Goldsmith |
Cinematography by
Ben Lichty | ... | director of photography |
Editing by
Michelle Szemberg |
Casting By
Millie Tom |
Costume Design by
Christina Loizou |
Makeup Department
Michelle Calleja | ... | key make-up and hair |
Production Management
Juliana Conceicao | ... | assistant production manager |
Justin Kelly | ... | production manager |
Kevin Molen | ... | unit manager |
Second Unit Director or Assistant Director
Juliana Conceicao | ... | second assistant director |
Matt Hotson | ... | trainee assistant director |
Justin Kelly | ... | first assistant director |
Art Department
Gareth Lichty | ... | props / set dressing |
Sound Department
Steve Baine | ... | foley artist (as Steve Bain) |
Roberta Bratti | ... | manager of sound operations |
Christian Carruthers | ... | project coordinator |
Kathy Choi | ... | sound effects editor |
Barry Gilmore | ... | dialogue editor |
Gina Gyles | ... | foley assistant (as Gina Wark) |
Mandy Ley | ... | re-recording assistant |
Kirk Lynds | ... | re-recording mixer |
Matthew McKenzie | ... | adr recording engineer (as Matthew Mckenzie) |
David Ottier | ... | sound mixer |
Peter Persaud | ... | foley recordist |
Jc Prince | ... | boom operator |
Katie Quanz | ... | assistant sound editor |
Steve F.B. Smith | ... | dolby sound consultant |
Visual Effects by
Nick Iannelli | ... | digital intermediate producer |
Mila Patriki | ... | digital intermediate colorist / mastering / telecine colourist |
Stunts
Blair Johannes | ... | stunt coordinator |
Camera and Electrical Department
Mark Beauchamp | ... | first assistant camera |
Fraser Brown | ... | gaffer |
Jason Brown | ... | key grip |
Steve Carey | ... | grip |
Queena Chan | ... | second assistant camera |
Bradley Crosbie | ... | first assistant camera |
Steve Lambert | ... | genny operator |
Max Putintsev | ... | best boy electric |
Kerry Shaw | ... | still photographer |
Jason Sissons | ... | key rigger (as Jayson Sissons) |
Jeff Taylor | ... | genny operator |
Christine Thompson | ... | loader (as Christine Jeoffroy) |
Bradley Tingle | ... | grip |
Casting Department
Emerald Goldsmith | ... | casting assistant |
Editorial Department
Chris MacKenzie | ... | digital intermediate editor (as Chris Mackenzie) / digital intermediate opticals (as Chris Mackenzie) |
Marie Rickard | ... | story editor |
James Yazbeck | ... | telecine sync operator (as Jim Yazbeck) |
Location Management
Kari Fairweather | ... | location manager |
Script and Continuity Department
Margaret Tanod | ... | script supervisor |
Additional Crew
Gary Brown | ... | project manager: picture |
David Ennis | ... | production accountant |
Tess Girard | ... | production assistant |
Diana Kulpa | ... | production coordinator |
Terry E. Markus | ... | legal services (as Terry Markus) |
Caron Mason | ... | production assistant |
Noreen Murphy | ... | actra steward |
Russ Robertson | ... | vice president of sales |
Kyle Trotter | ... | production assistant |
Mark Tureski | ... | titles |
Thanks
Tess Girard | ... | special thanks |
Nick Iannelli | ... | special thanks |
Gareth Lichty | ... | special thanks |
Sarah Polley | ... | very special thanks |
Jane Tattersall | ... | special thanks |