Antoine is a lawyer living in New York. On his way back to France for the final round of a job interview, Antoine finds himself sitting right next to his ex-girlfriend Julie. With a ... See full summary »
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In this romantic comedy, The Right Kind of Wrong, Leo Palamino is a failed-writer-turned-dishwasher made famous for his many flaws and shortcomings in a blog called "Why You Suck," a huge Internet success written by his ex-wife. Then Leo meets Colette, the girl of his dreams... on the day she is marrying the perfect man. And so, the ultimate underdog story begins as Leo, a fearless dreamer, risks all to show Colette and the whole wide world all that is right with a man famous for being wrong. Written by
A typical romantic comedy that loses the comedy and then loses its way
"The Right Kind of Wrong" features a man, Leo Palamino (Ryan Kwanten), broken and worthless after his ex-wife left him. And wrote a blog called "Why You Suck." And wrote a book based on the massively successful blog. Leo isn't necessarily heartbroken, just annoyed. But then he meets a girl, one who can kick a football. He watched her get married and still decided he was going to win her over.
I liked the premise. It seemed like a typical romantic comedy, which it is, but the set-up in the opening scenes was all executed. His ex, Julie, is reading his faults from her blog-turned-book his goals are unattainable dreams, just as he decides he's going to marry Colette at her wedding. He then tells his friends that he has met a new girl. They are all happy for him. Where did he meet her? At a wedding. That's nice; they're still happy for him. Whose wedding? Hers! His friends' happiness fades into concern, but Leo remains happy.
The problem isn't that the movie doesn't live up to expectations, but more that it doesn't remain funny as the film executes exactly as it's supposed to. Boy meets girl, boy falls for girl, and boy attempts to win girl over. And the movie spends exactly an hour and a half on the boy attempts to win girl over part. I didn't see the appeal of Colette, but one of Leo's faults is that he makes snap judgements. So I suppose one doesn't need to like Colette, just Leo.
Kwanten's Leo was enjoyable. A little more pitiful than your typical everyman, and a little less likely to succeed with his unattainable romantic goals. Perhaps it's only fitting that the movie doesn't succeed with its romantic comedy aspirations. It's a Canadian production of a typical Hollywood movie. Shot on location in Alberta, the mountains, creeks and woods were beautiful, but the writing also had its hills and valleys. The quirky comedy wasn't funny, the expected storyline drags a little long, and then the ending wasn't anything new. "The Right Kind of Wrong" was supposed to be a different kind of romantic comedy, but when the humour fades away, it just doesn't work.
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