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Directed by | |||
| Abdellatif Kechiche | |||
Writing credits | ||
| Abdellatif Kechiche | (scenario, adaptation and dialogue) & | |
| Ghalia Lacroix | (scenario, adaptation and dialogue) | |
| Julie Maroh | (adapted from: the comic book "Le Bleu est une couleur chaude" by) | |
Produced by | |||
| Brahim Chioua | .... | producer | |
| Laurence Clerc | .... | co-producer | |
| François Guerrar | .... | associate producer (as François Hassan Guerrar) | |
| Abdellatif Kechiche | .... | producer | |
| Vincent Maraval | .... | producer | |
| Olivier Théry-Lapiney | .... | line producer | |
Cinematography by | |||
| Sofian El Fani | |||
Film Editing by | |||
| Sophie Brunet | |||
| Ghalia Lacroix | |||
| Albertine Lastera | |||
| Jean-Marie Lengelle | |||
| Camille Toubkis | |||
Casting by | |||
| Sophie Blanvillain | |||
| Bahijja El Amrani | |||
Set Decoration by | |||
| Coline Débée | (assistant set decorator) | ||
| Julia Lemaire | |||
Costume Design by | |||
| Paloma Garcia Martens | |||
Makeup Department | |||
| Frédéric Balmer | .... | special makeup effects artist | |
| Jessica Oberli | .... | special makeup effects artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
Production Management | |||
| Diana Angulo | .... | post-production manager | |
| Diana Angulo | .... | production manager | |
| Amandine Lagache | .... | assistant production manager | |
| Benoît Pilot | .... | production manager | |
| Antoine Rabaté | .... | post-production manager | |
| Nora Thomas | .... | assistant production manager: Scope Pictures | |
Second Unit Director or Assistant Director | |||
| Frédéric Alexandre | .... | assistant director | |
| Bahijja El Amrani | .... | second assistant director | |
| Monya Galbi | .... | first assistant director | |
| Roxane Guiga | .... | trainee assistant director | |
| Auriane Lacince | .... | first assistant director | |
| Nicolas Turek | .... | assistant director | |
Sound Department | |||
| Niels Barletta | .... | sound mastering engineer | |
| Mélanie Blouin | .... | additional sound editor | |
| Romain Cadilhac | .... | boom operator | |
| Milène Chave | .... | boom operator | |
| Jérôme Chenevoy | .... | sound mixer | |
| Raphaël Devillers | .... | sound mix technician | |
| François Fripiat | .... | dialogue editor | |
| Marie Giustinati | .... | assistant post-synchronisation editor | |
| Renaud Guillaumin | .... | sound editor | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Denis Martin | .... | sound | |
| Johann Nallet | .... | sound re-recording mixer assistant | |
| Fabien Pochet | .... | supervising sound editor | |
| Xavier Remy | .... | boom operator | |
| Caroline Reynaud | .... | sound editor | |
| Caroline Reynaud | .... | sound re-recording mixer assistant | |
| Clément Trahard | .... | boom operator | |
| Joey Van Impe | .... | dialogue editor | |
| Elias Vervecken | .... | foley artist | |
| Jean-Louis Viroux | .... | foley editor | |
| Roland Voglaire | .... | supervising dialogue editor | |
| Marie-Jeanne Wyckmans | .... | foley artist | |
Visual Effects by | |||
| Cyrille Bonjean | .... | co-vfx supervisor | |
| Gaël Durant | .... | visual effects production manager | |
| Philippe Frère | .... | lead digital compositor | |
| Thibaut Granier | .... | visual effects | |
| Morgan Hardy | .... | digital compositor | |
| Laurent Launes | .... | visual effects artist | |
| Marie Maulet | .... | digital compositor | |
| Guillaume Pondard | .... | digital effects | |
| Loïc Poës | .... | visual effects coordinator | |
Camera and Electrical Department | |||
| Cecile Ancelin | .... | assistant camera | |
| Catherine Briault | .... | additional camera operator | |
| Bertrand Etienne | .... | digital imaging technician | |
| Sébastien Goepfert | .... | camera operator | |
| Serge Hannecart | .... | camera operator | |
| Xavier-Emmanuel Lesage | .... | assistant camera | |
| Frida Marzouk | .... | lighting technician | |
| Sylvain Phan | .... | second assistant camera | |
| Nicolaos Zafiriou | .... | additional camera operator | |
Casting Department | |||
| Judith Chalier | .... | casting | |
Costume and Wardrobe Department | |||
| Sylvie Letellier | .... | costumer | |
| Dorothée Lissac | .... | costume supervisor | |
Editorial Department | |||
| Elie Akoka | .... | colorist | |
| Adélaïde Basson | .... | post-production assistant | |
| Perrine Bekaert | .... | additional editor | |
| Marc Boucrot | .... | colorist | |
| Pauline Casalis | .... | additional editor | |
| Alissa Doubrovitskaïa | .... | post-production assistant | |
| Vanessa Eid Akoka | .... | post-production coordinator | |
| Marcela Figueroa | .... | assistant editor | |
| Kévin Laperrière | .... | assistant editor | |
| Marie Silvi | .... | additional editor | |
| Cyrielle Thélot | .... | additional editor | |
| Elie Tisné | .... | colorist assistant | |
| Sarah Zaanoun | .... | assistant editor | |
Music Department | |||
| Jean-Paul Hurier | .... | composer: additional music | |
| Elise Luguern | .... | music supervisor | |
Other crew | |||
| Anne-Marie Billon | .... | production administrator | |
| Kader Bouallaga | .... | location assistant | |
| Jonathan Degras | .... | assistant location manager | |
| Julie Grumbach | .... | assistant director preparation | |
| François Guerrar | .... | publicist: France | |
| Nicolas Honorez | .... | production manager assistant | |
| Gaëtan Hugnet | .... | post-production assistant | |
| Ronaldo Mourao | .... | publicist: international | |
| Martin Neufkens | .... | production accountant (as Neufkens Martin) | |
| Vanessa Ragueneau | .... | production secretary | |
| Phil Symes | .... | publicist: international | |
Thanks | |||
| Etienne Grandou | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This year's Palm d'Or winner is a coming of age story about a teenage girl, Adele (the literal title in French is The Life of Adele), who discovers her homosexuality and begins a relationship with Emma, a college student. For a while, I was thinking this was a good but fairly unremarkable entry into the queer cinema canon, but, over the film's three hours, well, you see why the long running time was necessary. It is just a very detailed picture of a life. It feels more real than most films - it feels like more time has past and that we've just felt Adele's growth. Frankly, I didn't feel the length of it at all - I wanted it to be longer. It really helps that the actresses are so perfect. Adele Exarchopoulos is simply fantastic - this is the performance of the year, really. Her face is so expressive. The film takes place over several years, and you really do see her grow from a child to an adult. Lea Seydoux plays Emma. Her role is less demanding, but she's still great in it. Now, the biggest story of this film has probably been the graphic sex scenes. My opinion on them: I actually do think they're a bit too graphic, gratuitous and almost pornographic. I try to justify them artistically in my mind, and I'm afraid I can't. There's a plot point near the end where you kind of have to know that the girls' sex life was fantastic, but I'm not sure we had to see it in anywhere near as much detail as we did. They're without a doubt awkward to sit through, but they don't ruin the film either.