The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune -- all against the back-drop of a suddenly and dramatically changing Continent. Written by
Fox Searchlight Pictures
JG Jopling has a concealed Browning Model 1910 pistol strapped to his jacket, and a Colt M1911 pistol laying on his desk, but never uses either in the movie. See more »
The large kitchen in Lady D's castle is lit by fluorescent lamps. Though invented in the early 1930s, fluorescent lamps were not commercially available until after World War 2. See more »
It is an extremely common mistake. People think the writer's imagination is always at work, that he's constantly inventing an endless supply of incidents and episodes; that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you're a writer, they bring the characters and events to you. And as long as you maintain your ability to look, and to carefully listen, these stories will continue to...
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[lines are centered] Introducing Tony Revolori Zero See more »
The Linden Tree
Written by Pavel Vasilevich Kulikov
Performed by Osipov State Russian Folk Orchestra, Vitaly Gnutov
Courtesy of Natalya Abramyan and National Music Publishers
Courtesy of Universal International Music B.V. Under license from Universal Music Enterprises See more »
Having lost almost 2 hours of my life watching this pretentious, awkward, tedious,repetitive nonsense masquerading as a film, I felt an urgent need to warn my fellow movie goers of this stinker of a movie.
The Great Budapest Hotel is "in your face" director's overindulgence in experimenting. It lacks even pretense of trying to tell an entertaining story. Its caleidoscope of disjointed themes crawls, mostly sideways, with the dreadful quality of a nightmare.
One might fall into a trap of wishing to explore the latest "oeuvre" of a "cult" director/screenwriter. For those of you be warned, you'll need a strong motivation to sit through this indulgent mush of an experiment in viewers' goodwill.
The one star goes for some striking images which "do not a movie make".
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