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Harry is an industrialist who loves his daughter Bijlee, and the bond they share with Harry's man friday, Matru. Bijlee's plan to wed the son of a politician, however, brings twists and turns in the lives of Matru, Bijlee and Mandola.
After killing his mentor, a gangster comes into power to rule over Mumbai. In the process he falls for an aspiring actress, nevertheless he finds that his protege has fallen for her too which leads to enmity between them.
Sriram Venkat is the most shallow guy on earth who doesn't value relationships, family, friends, life or the country. Not necessarily in that order. Because he couldn't care less about the order. This makes him the clear 'black' sheep of the family. Written by
Makes you wonder that for whom they actually made this & why?
Certain films raise not one or two but several questions in your mind about the team behind its making and their basic thought structure before going ahead with such tasteless, ridiculous and uninspiring kind of script without giving it a second thought. So instead of writing a usual review, here I would like to share my conclusions after watching this 'quite hard to see' romantic comedy, wherein I neither found the romance nor any comedy as calmly promoted by its makers with a pretty bad song.
1. "You are a born film-maker!" Now this phrase can be interpreted in two ways. One when a person has a great, gifted talent of film-making in him, which he has developed through his own efforts and hard work, working in the field for years before being called a Film-maker. And Two, when a person has simply got born in the family related to film business or movie-making and therefore obviously becomes a Film-maker by default. (And the same theory goes for the actors too in many cases)
2. Sometimes a project just gets all the needed approvals from a corporate house without any objections raised, simply because of the big names backing it from the front, even when there is no script, storyline or an idea shared about what actually they are approving and putting their money in.
3. In such ventures, even the actors don't know what they are actually being signed for, since the script is yet to be given a thought after finalizing the entire schedule and dates.
4. And when the need of the script arises, they just mix and match few of their senior's famous films hurriedly, as if there are only fools coming to the theater and they can be served anything in the name of a film with some glossy faces and songs.
5. Such projects try to incorporate everything which is trending around without any set vision. So if Punjabi is the in-thing, they get a completely insane and horrible song written around a Punjabi word used for the 'Bums' and just don't care to enquire about its actual use in the language at all! (And it was this song, questionably written as "Tooh", which simply left me with jaws open in disbelief and disgust like never before in all these recent decades honestly. In fact I cannot remember a Hindi film song falling to this sick and ridiculous level ever to say the least.)
6. Normally in the first day shows of a film, all the theater attendants, caretakers and torch-men are also very much interested in watching the new film, standing quietly along the wall with their eyes on the screen. But in a film such as GORI TERE PYAAR MEIN, even they walk out of theaters after an hour or so and never return back even post intervals.
7. When film-makers who perhaps have never been to any real village or remote areas, try to show a village in their film as per their forced-in script demand. Then it's pretty obvious that it turns out to be completely artificial, senseless and fake, since they haven't got the vision to portray such earthy elements on the screen in reality. And that is possibly the reason why GTPM truly becomes unbearable in its second half as it shifts into a fake village wherein a bridge is to be built in a pure LAGAAN or SWADES style by the star architect.
8. A film like GTPM does teach you a valuable lesson of life too, that sometimes even when there is everything available on the table to make a delicious dish, the cook still may make a silly mess out of it due to his over-confidence or no fear of a failure at all (read no-work) in the near future.
9. Lastly, GTPM strongly makes you wonder that did its makers really knew that for whom or for which target audience they were actually making this film and Why?
To end with, if a newcomer (or a struggler writer) would have gone to any of the production houses related with the film, with this SCRIPT in hand to make a movie on. Then either he would have got the rejection right away in hours or the script would have been thrown in the bin as soon as he has gone out of the office after reading only its few opening pages.
Anyway, searching for the only silver lining in this black cloud, there are 10 odd minutes of beautiful Shraddha Kapoor in the film, which are watchable. And in case you are too serious to watch her on the screen post AASHIQUI 2, then just see the film at a lower cost ticket before the intermission and simply walk away.
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