When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads that sparks explorations of their lives, the city, and the ways in which works of art reflect and shape the world.
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Nana is 4 years old and lives in a stone house beyond the forest. Back from school, a late afternoon, all she finds is silence in the house. A journey into the darkness of her childhood. The world from her height.
In the Kunsthistorisches Art Museum in Vienna, Johann is a security guard who finds a special quiet magic there. One day, a Canadian woman arrives to visit to the city, and the two strike up a friendship through their appreciation of art. That relationship helps put all the other goings-on at the museum and in the city in perspective, as Johann observes and participates in them in a world where art can say so much more than a casual visitor might know. Written by
Kenneth Chisholm (firstname.lastname@example.org)
We Are All Subjects in a Painting by Pieter Bruegel
This is a mostly plot less, mostly reflective, semi-serious, semi-whimsical movie with the tone of a PBS documentary. It is a lot like a landscape painting. It will work best for photographers, lovers of photography and Pieter Bruegel the Elder, museum goers who routinely rent audio guides, and anyone else predisposed to view the condition of humans in the 21st century as alternately harsh and exuberant (or punctuated by esthetic surprises), hemmed in by the state, and leading inevitably to the grave. Have a good life.
A woman from Montreal, in Vienna to visit a hospitalized childhood friend, meets a taciturn guard at the Kunsthistorisches Museum, and together they take in the city and its inhabitants, which together become a reflection of the art housed in the museum.
"Museum Hours" is a bit ponderous at times but rarely slow.
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