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Museum Hours (2012)

 -  Drama  -  6 September 2013 (UK)
7.0
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Ratings: 7.0/10 from 1,143 users   Metascore: 84/100
Reviews: 22 user | 79 critic | 18 from Metacritic.com

When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads that sparks explorations of their lives, the city, and the ways in which works of art reflect and shape the world.

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Cast

Cast overview, first billed only:
Mary Margaret O'Hara ...
Anne
Bobby Sommer ...
Johann
Ela Piplits ...
Gerda - Visiting Lecturer
Marcus O'Hara ...
Bruegel Tour Group
Deborah Gzesh ...
Bruegel Tour Group
Marco Calamita ...
Bruegel Tour Group
Nina Calamita ...
Bruegel Tour Group
Sigrid Mölg ...
Bruegel Tour Group
Evelyne Egerer ...
Bruegel Tour Group
Gerda Hartl ...
Museum Visitor
Ivo Hunek ...
Museum Visitor
Anna Maria Innerhofer ...
Museum Visitor
Anna Nowak ...
Museum Visitor
Michaela Buchegger ...
Museum Visitor
Hellmut Goebl ...
Museum Visitor
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Storyline

In the Kunsthistorisches Art Museum in Vienna, Johann is a security guard who finds a special quiet magic there. One day, a Canadian woman arrives to visit to the city, and the two strike up a friendship through their appreciation of art. That relationship helps put all the other goings-on at the museum and in the city in perspective, as Johann observes and participates in them in a world where art can say so much more than a casual visitor might know. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Official Sites:

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Release Date:

6 September 2013 (UK)  »

Also Known As:

Godziny otwarcia  »

Filming Locations:

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Box Office

Opening Weekend:

$29,435 (USA) (28 June 2013)

Gross:

$83,725 (USA) (5 July 2013)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Aspect Ratio:

1.78 : 1
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Did You Know?

Connections

Featured in The 2014 Film Independent Spirit Awards (2014) See more »

Soundtracks

Dark, Dear Heart
Written and Performed by Mary Margaret O'Hara
Yet Courier Music
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User Reviews

 
Beautiful Interiors but . . .
28 March 2014 | by (United States) – See all my reviews

This film primarily made me kick myself for never having visited the Kunsthistorisches Art Museum the two times I was in Vienna (shame on me). In between kicking myself, I enjoyed the focus on Bruegel's paintings and the museum interior. I even enjoyed the potted plant scene with the guest lecturer explaining the paintings. The images of Vienna were beautifully rendered, and made for such a contrast with the usual posh images we associate with Vienna (which certainly was the point, or one of the points). So, this was a Vienna with which I as a former tourist was unfamiliar--well done, the film shook me out of my longings for tourist Vienna, sachertorte, and waltzes. But oh, if the film had only stuck with the inner life of the museum and the museum guard, his isolation, his anonymity, and his dedication to the museum and its great works of art. . . what a much richer viewing experience, at least for me. From the first scene introducing Anne with her cousin in a coma (oh dear), I felt my interest challenged. She seemed to me a completely unnecessary and irksome character, always in need of something . . . money, directions, companionship, whatever. The friendship with the museum guard was so dimly lit for me, their escape into the surrounding area a distraction, the scenes in the hospital a chore. Perhaps this was the intent, but I don't think so. I would much have preferred to explore the museum guard and his existence. Or another museum guard, maybe one in the next room, a guard with a family and happy home life to which the solitary Johann has neither access nor invitation. Or perhaps more Bruegel paintings. Or any of the other paintings.

This film would make an interesting pairing with The Mill and the Cross (2011), which I admit I could not make it through for reasons outside of this review. The DVD of Museum Hours comes with a very nice pamphlet explaining the genesis of the film, and its inclusion was a nice surprise. Overall, this is a film worth watching, but not one to get excited about.


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