When a Vienna museum guard befriends an enigmatic visitor, the grand Kunsthistorisches Art Museum becomes a mysterious crossroads which sparks explorations of their lives, the city, and the ways artworks reflect and shape the world.
Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
Adele's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself and ultimately finds herself through love and loss.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In the Kunsthistorisches Art Museum in Vienna, Johann is a security guard who finds a special quiet magic at the institution. One day, a Canadian woman arrives on a compassionate visit to the city, and the two strike up a friendship through their appreciation of art. That relationship helps put all the other goings on at the museum and in the city in perspective as Johann observes and participates in them in a world where art can say so much more than a casual visitor might know. Written by
Kenneth Chisholm (email@example.com)
Museum Hours is a masterfully filmed discourse on contemporary and historic human life. Seen through the simple, immediate eyes of the protagonists, great artwork, discussions about it and the ordinary mundane activity of life and death, collide to remind us of our shared humanity. Then underneath all of this we see the artist's eye looking and seeing art everywhere: What it picks out in a world of detritus and makes rare. How it levels us and makes us profound.
I hadn't heard of Jem Cohen before, but he is a fantastic filmmaker! Museum Hours reminds me of My Dinner with Andre without the warmth of Wally Shawn. But with the same intelligence and intimacy, inviting us into a visionary world where the watcher becomes an actor in the drama of conversation. I love movies like this, where the director thinks deeply about the audience, about his discussion with us, about what he is saying, communicating to us, and who hopes- who cares--that we hear him.
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