With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
What does Richard Brake look like when he's not playing the Night's King? Take a look at photos of the cast of "Game of Thrones" in character and in real life.
Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime, corruption and the federal government.
Director:
Martin Scorsese
Stars:
Leonardo DiCaprio,
Jonah Hill,
Margot Robbie
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
Director:
Wes Anderson
Stars:
Ralph Fiennes,
F. Murray Abraham,
Mathieu Amalric
A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.
Director:
Damien Chazelle
Stars:
Miles Teller,
J.K. Simmons,
Melissa Benoist
When Louis Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? Written by
Twentieth Century Fox
According to an episode on Jeopardy! (1984) aired October 9th, 2015 a contestant known as Emily Rollman, who was an extra, apparently insulted Ben Affleck. She claimed after he ran into her during one of the takes Ben asked her, "How was that?" She replied in sarcasm, "Well, that was okay." See more »
Goofs
Amy would have been fully examined by doctors at the hospital. An attack that would have been able to incapacitate her and lose as much blood as claimed would still be very visible a month after the attack. It would have been easily detected at the hospital, yet was not. See more »
Quotes
[first lines]
Nick Dunne:
When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? What will we do?
See more »
Crazy Credits
The principal names individually fade in and out onscreen in just 2 seconds each, half the normal time for a screen credit. See more »
SAVED BY ZERO
Written by Adam Woods, Alfred Agius, Cy Curnin (as Cyril Curnin), James West-Oram & Peter Greenall
Performed by The Fixx
Courtesy of Geffen Records
Under license from Universal Music Enterprises See more »
Nick Dunne (Ben Affleck) comes home one day to find his wife Amy (Rosamund Pike) missing. The ensuing search and all the subsequent events, which shall not be revealed here, draw the viewer closer and closer into a complex world of everyday suburban reality and everyday suburban horror.
As if it needed to be pointed out, this balance of reality and horror, or horrendous reality, is the domain of Mr. Fincher. In his clear-cut no-nonsense style he has fashioned a powerful mystery-thriller that lands somewhere between Hitchcock, Lynch, Bergman and Chabrol. Although vastly different directors, they have shared an interest in dissecting reality and human nature.
Profiting from two exceptional lead actors (doubts about Mr. Affleck's acting abilities will hopefully be dispelled), it is Ms. Pike, who reveals herself as an immensely versatile and unpredictable force in this movie. Over more than ten years Ms. Pike has played big parts in small movies, or small parts in big movies (such as Pride & Prejudice", Wrath of the Titans" or Jack Reacher"). Under the guise of Mr. Fincher she excels in every aspect and if any contenders for awards are to be named so early in the season, hers would be one of the first names (next to the outstanding cast of Richard Linklaters Boyhood") to be written down.
Visually stunning as one would expect from Fincher, with an immersive soundtrack by Trent Reznor & Atticus Ross and an editing rhythm that cuts like a knife through the tissue of the story and its characters, Gone Girl" leaves no doubt about its craft and the deceptive nature of its source novel by Gillian Flynn. The author adapted her book into a tightly wound screenplay, that adds fuel to an already burning analysis of modern marriage and human frailty.
The themes are familiar to Fincher, but he assembles them in an expertly fashion. And we are left wondering, amidst the suspense, about many of the so called estimable American values of the 20th century, that have now come crashing down under the weight of an economic, political and spiritual crisis.
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The basic premise is as old as the movies.
An abduction leads to a media-circus.
Nick Dunne (Ben Affleck) comes home one day to find his wife Amy (Rosamund Pike) missing. The ensuing search and all the subsequent events, which shall not be revealed here, draw the viewer closer and closer into a complex world of everyday suburban reality and everyday suburban horror.
As if it needed to be pointed out, this balance of reality and horror, or horrendous reality, is the domain of Mr. Fincher. In his clear-cut no-nonsense style he has fashioned a powerful mystery-thriller that lands somewhere between Hitchcock, Lynch, Bergman and Chabrol. Although vastly different directors, they have shared an interest in dissecting reality and human nature.
Profiting from two exceptional lead actors (doubts about Mr. Affleck's acting abilities will hopefully be dispelled), it is Ms. Pike, who reveals herself as an immensely versatile and unpredictable force in this movie. Over more than ten years Ms. Pike has played big parts in small movies, or small parts in big movies (such as Pride & Prejudice", Wrath of the Titans" or Jack Reacher"). Under the guise of Mr. Fincher she excels in every aspect and if any contenders for awards are to be named so early in the season, hers would be one of the first names (next to the outstanding cast of Richard Linklaters Boyhood") to be written down.
Visually stunning as one would expect from Fincher, with an immersive soundtrack by Trent Reznor & Atticus Ross and an editing rhythm that cuts like a knife through the tissue of the story and its characters, Gone Girl" leaves no doubt about its craft and the deceptive nature of its source novel by Gillian Flynn. The author adapted her book into a tightly wound screenplay, that adds fuel to an already burning analysis of modern marriage and human frailty.
The themes are familiar to Fincher, but he assembles them in an expertly fashion. And we are left wondering, amidst the suspense, about many of the so called estimable American values of the 20th century, that have now come crashing down under the weight of an economic, political and spiritual crisis.