April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy commands a Sherman tank and his five-man crew on a deadly mission behind enemy lines. Out-numbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
When Lou Bloom, a driven man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
Big city lawyer Hank Palmer returns to his childhood home where his father, the town's judge, is suspected of murder. Hank sets out to discover the truth and, along the way, reconnects with his estranged family.
Robert Downey Jr.,
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? Written by
Twentieth Century Fox
This was the first time Ben Affleck had done full frontal nudity on screen. Affleck said he agreed to do it because director David Fincher told him that he wanted it to be like a European movie, "warts and all", that there could be no vanity from the actors as he wanted to portray the characters just as in real life. See more »
The news crawl during the Sharon Shieber show is sometimes not correctly synchronized: the film will cut away from the program for several seconds and the news crawl is (sometimes) in exactly the same place when it returns. See more »
If Fincher was looking to out do himself...he has succeeded.
Gone Girl marks Fincher's tenth feature film and his most mature work since Fight Club. Centering on Nick Dunne, a husband desperately trying to find his wife all while having police and media accuse him of murder. The story sounds straight out of the Scott Peterson case and the film looks unlike any film I've seen in recent years. Lead by an all star cast featuring Ben Affleck, Rosamund Pike, Tyler Perry and Neil Patrick Harris, Gone Girl rises above the pack with smart storytelling, phenomenal pacing and perfect performances. What Gone Girl does so brilliantly is taps into the audience's psyche regarding marriage and the ideology behind a sanctioned union that is corrupt. It is really heavy stuff when the story really gets to the meat and bones of it all. With plenty of twists and turns, Gone Girl keeps you, not only second guessing the whole idea of marriage, but the intentions of every character in the film. It is truly one of the most twisted films adapted from an even sicker and twisted book that's out there right now. Gillian Flynn does wonders with her adaption from her own novel. The dialog is crisp, the characters are multi-layered, it truly is a pitch perfect script that doesn't have one false moment in it. Ben Affleck and Rosamund Pike are EXCELLENT in this film. This is a different Affleck, a very human and realized Affleck. Nick Dunne is a wonderful role for him and captivates just how good he can be with a terrific director. Harris and Perry give well rounded performances as well but are nothing compared to Affleck and Pike. David Fincher and his long time collaborator and cinematographer, Jeff Cronenweth create a dreary, horrific tone for Gone Girl that makes every twist and turn that much more gut wrenching. Every shot is meticulously planned, showing each shot as if it were a still frame that spoke a thousand words. It is truly gorgeous filmmaking. And now for the score...Trent Reznor and Atticus Finch deliver a perfect score, besting their Social Network and Girl with the Dragon Tattoo score. If Reznor won for Social Network, I fully expect not only a nomination but a win for this film. Overall, this is a mesmerizing film that demands multiple viewings to truly get the full experience. It is impeccably made, beautifully acted and an all around near perfect film.
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