The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? Written by
Twentieth Century Fox
After Amy has disappeared, Nick and the detective go to his office to follow up on his wife's first "clue". Inside his office, on the bookshelf, there are some books, two of which are Michael Chabon's "Manhood For Amateurs", non-fiction essays about being a husband, and the mistakes and surprises of being a father, and Jonathan Franzen's "Freedom", an American novel concerned with the themes of marriage. See more »
When Nick is in the airport on his way to meet Tanner Bolt, he sees a photo display publicizing his wife's disappearance. The display also features Amy's basic physical characteristics- height, hair color, and eye color. It lists her eye color as brown, but Amy has grey/green eyes throughout the film. See more »
When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? What will we do?
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The 20th Century Fox fanfare is silent and the logo fades out early. See more »
Slow burner with a twist for the ages. Fincher does it again.
The first act of the movie is the run-of-the-mill wife gone missing, the husband accused of killing her plot. This is clearly established in the theatrical trailer and may have thrown off some potential viewers. To the people who are familiar with David Fincher's work, this is not the case with Gone Girl.
Yes, the first act is very ordinary, but the second act uproots whatever ever considered dull about the movie as it takes a rapid turn into thriller stardom, resembling something taken out of a Hitchcock movie. Only a handful directors can completely enhance the movie's narrative through editing, and Fincher is one of them. I know there is a lot of praise around Rosamund Pike's performance, which makes it easy to overlook Ben Affleck. He plays the tired, oblivious and boyish really well. This may be the very reason why he is completely overlooked.
And in a time of sequels, prequels, remakes and biopics, finally a contemporary piece of work! Stellar!
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