The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
On the occasion of his fifth wedding anniversary, Nick Dunne reports that his wife, Amy, has gone missing. Under pressure from the police and a growing media frenzy, Nick's portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? Written by
Twentieth Century Fox
Reese Witherspoon obtained the film rights from Gillian Flynn in June 2012 and decided to produce under her new production label "Pacific Standard" as she would to be able to play the role of Amy. However, after her initial meeting with David Fincher on his vision of the film, Witherspoon withdrew from contention, realizing that she wasn't the right person to play the female lead. See more »
When Nick is in the airport on his way to meet Tanner Bolt, he sees a photo display publicizing his wife's disappearance. The display also features Amy's basic physical characteristics- height, hair color, and eye color. It lists her eye color as brown, but Amy has grey/green eyes throughout the film. See more »
When I think of my wife, I always think of the back of her head. I picture cracking her lovely skull, unspooling her brain, trying to get answers. The primal questions of a marriage: What are you thinking? How are you feeling? What have we done to each other? What will we do?
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The principal names individually fade in and out onscreen in just 2 seconds each, half the normal time for a screen credit. See more »
All the world's a stage, and all the men and women merely players !!!!!!
I have always been a huge admirer of David Fincher. He is undoubtedly one of the most consistent and masterful storytellers in modern cinema. I also think when it comes to dark, disturbing thrillers, there is very few who can match the directorial skills of Fincher.
Like many of his previous films, Gone Girl is a very long film, but in a true Fincher-esque fashion, it is as engaging as possible without any scope for the viewer to feel bored. The pacing is perfect. The scenes have a dreamy style to it, which brings the dilemma of "whether this is a true account of things or has this been made up by the narrator."
The theme of the film is the fact that humans at the basic level are all actors and pretenders. Very seldom do we decide to be our real selves. Generally all of us put on a mask to make ourselves look good in front of the general public and also to pretend to be the person that our nearest and dearest want us to be. Gillian Flynn's screenplay based on her own novel is brilliant and it is also a damning indictment of how media can shape and mould mass perception and it is also a cynical account of the institution of marriage.
Ben Affleck is good, Tyler Perry is good, but this movie from an acting perspective belongs to Rosamund Pike. She owns every scene that she is in and delivers an Oscar-worthy performance.
Fincher has once again has made a fantastic film. The last 30 minutes might not be completely logical, but it is still symbolic. If you are about to get married,stay away from Gone Girl.
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