The Doctor and Clara find themselves aboard a space freighter that has taken the TARDIS on-board as salvage. While the Doctor is ejected, Clara finds herself wandering through the vehicle ...
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The Doctor and Clara find themselves aboard a space freighter that has taken the TARDIS on-board as salvage. While the Doctor is ejected, Clara finds herself wandering through the vehicle exploring it's many - seemingly infinite - rooms. The Doctor re-enters the TARDIS accompanied by three workers from the salvage ship and they have but 30 minutes to find her. There are creatures in the depths of the TARDIS and the time travel machine will do whatever it takes to protect itself. There is a rupture in time however and the TARDIS is leaking recent history....which the Doctor can use to rectify their current predicament. Written by
Steve Thompson initially thought back to his days as a teacher, and came up with a story in which the TARDIS crashed into a school trip, unleashing a gaggle of teenagers into the time machine who cause it to malfunction. Steven Moffat disliked this idea, and so Thompson suggested replacing the students with a salvage team. See more »
Clara's hand is burned in the shape of letters. Because we can see in another shot that the letters were etched into the metal, this means that when she picked up the remote, somehow she was only burned where she was NOT touching the metal. See more »
Running away with a spaceman in a box, anything could happen to you.
That's what I'm counting on.
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Joseph Campbell was one of the great students of myths. It was he who pointed out the basic structure of all mythic stories: the Hero enters the Underworld to save his home/lover and, after a long journey, gains the knowledge to do so. He returns with the knowledge and achieves his goal, but learns that he has changed and cannot go home.
Sometimes the hero is a woman, of course, and sometimes the Underworld is the Woods or Outer Space or Beyond the Fields We Know or even the Center of the TARDIS.
Doctor Who is interesting because of its mysteries; at the center of those mysteries is the TARDIS, a time-and-space traversing device bigger on the inside that enables the Doctor and his companions to go anyplace and anywhen. We have had hints in earlier episodes -- and views in versions of Doctor Who in other media -- that the TARDIS is in some ways infinitely large. This is the first time we have seen that infinitude on the TV screen and the execution is weird and fascinating.
Steve Thomas, who earlier Doctor Who script was the mediocre "Curse of the Black Spot" has done better this time. However, I have an issue: we cannot see infinity. The writer and actors and cinematographers cannot show us infinity. They have to reduce the scale so that we can see what we are supposed to be looking at. The Eye of Harmony cannot be larger than a TV screen. Then they must reduce it further so that the plot can encompass it. In the end it turns into a bunch of weird-looking stuff that isn't weird at all.
Still and all, I enjoyed the episode, for its audacity in offering us a glimpse of the immensity and mystery. In the end, though, the hero returns home and saves the village, but is not transformed. Nor is the viewer.
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