Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.
Murray, the bankrupt owner of a bookstore, is forced to close his family business. His dermatologist, Dr. Parker, dreams of having a threesome and would pay a thousand dollars to have one with her friend Selima. Murray then proposes to his friend Fioravante that they start a male prostitution business, with Murray acting as the pimp. However, when Fioravante meets a Hasidic Jewish woman, Avigal, who is the widow of a rabbi, they fall in love with each other. But a Jewish neighborhood patrolman, Dovi, is in love with Avigal too, and might make life difficult for Fioravante and Murray. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Not only is he one of the stars of the movie, but Woody Allen also gave suggestions to John Turturro about the screenplay, at the director's petition. See more »
My grandfather started the shop. My father had it. And now - I - have to - close it. This is the end of an era, my friend. Let me tell ya, now a days only rare people buy rare books.
We'll get back on our feet.
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Written by L. Carmi, C.A. Liman, Pierre Delanoë, P. Havet
Published by Music Union S.r.l. / Allegro Edizioni Musicali S.r.l., Milano (Italy)
Performed by Dalida
Courtesy of Barclay France See more »
They don't make 'em like that any more. Luckily, they do.
This has all the hallmarks of a Woody Allen metropolitan comedy (with Woody Allen in a lead role) - and John Turturro has written and directed it very much in the style of, say, ANNIE HALL. It's a character-driven morality play about love and sex in the city, with the feel of an upscale repertory company. And it's got Sharon Stone, still just as foxy as when she played Catherine Tramell in BASIC INSTINCT; the notion that a middle-aged man would get paid $1,000 to climb between her sheets is deliciously improbable (and very appealing to this middle-aged viewer).
As we start another summer of CGI-heavy 3D blockbusters, FADING GIGOLO is a welcome return to They-don't-make-movies-like-that-any-more. Luckily, they still do. Great acting, a crisp sophisticated script, smooth direction, a terrific score and a bevy of gorgeous women: 90 minutes of unalloyed joy. Cinema at its best.
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