Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.
Niccolo (Mac) Vitelli is the eldest of three brothers and leads their family after their beloved father dies. Their father was a builder and his sons continue in this family trade. At first... See full summary »
In Brooklyn, the bankrupted owner of a book store, Murray, is forced to close his family business. His dermatologist Dr. Parker dreams of having a threesome and would pay a thousand dollars to have one with her friend Selima. Murray proposes to be Fioravante's pimp and they started a male prostitution business. However, when Fioravante met a Jewish lady, Avigal, who is the widow of a rabbi, they felt in love with each other. But a Jewish neighborhood watch, Dovi, loves Avigal and will make life difficult for Fioravante. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
My grandfather started the shop. My father had it. And now - I - have to - close it. This is the end of an era, my friend. Let me tell ya, now a days only rare people buy rare books.
We'll get back on our feet.
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Music composed by Jose Padilla
Lyrics by Eduardo Montesinos
Published by Casa Museo Jose Padilla / SGAE Madrid
Performed by Dalida
Courtesy of Barclay France
Under license from Universal Music Enterprises See more »
They don't make 'em like that any more. Luckily, they do.
This has all the hallmarks of a Woody Allen metropolitan comedy (with Woody Allen in a lead role) - and John Turturro has written and directed it very much in the style of, say, ANNIE HALL. It's a character-driven morality play about love and sex in the city, with the feel of an upscale repertory company. And it's got Sharon Stone, still just as foxy as when she played Catherine Tramell in BASIC INSTINCT; the notion that a middle-aged man would get paid $1,000 to climb between her sheets is deliciously improbable (and very appealing to this middle-aged viewer).
As we start another summer of CGI-heavy 3D blockbusters, FADING GIGOLO is a welcome return to They-don't-make-movies-like-that-any-more. Luckily, they still do. Great acting, a crisp sophisticated script, smooth direction, a terrific score and a bevy of gorgeous women: 90 minutes of unalloyed joy. Cinema at its best.
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