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Sudeep is a high profile industrialist who gets whatever he wants and he has a special eye for beautiful women. To get them, he will not hesitate to do anything. That desire gets triggered when Sudeep sees Bindu, a micro artist who runs a non-profit organization. However, Bindu is loved by Nani who keeps following her everywhere. Though Bindu loves him, she doesn't express it to him and enjoys the attention. The story takes a turn when Sudeep discovers the feelings of Bindu for Nani and is unable to digest his defeat. He kills Nani. But Nani is born again as 'Eega'(fly) and he wants to take vengeance on Sudeep. Written by
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To say this is a creative wonder of Indian Cinema is an understatement for the word understatement. I say this because, if you read the synopsis for this movie before watching it - the ridiculousness of the plot will leave you thinking how did this ever get made. There are a thousand ways this movie could have easily gone bad, but to come out of each scenario in flying colors is itself a huge achievement. I have seen all movies of the director S.S. Rajamouli and would have never guessed he was capable of this level of creativity, story structure and most of all subtlety. Considering the limitations that plague all the big movie houses of Indian cinema when it comes to visual effects, what Rajamouli achieved here is marvelous.
Nani (Nani) is in love with Bindhu (Samantha) which she does not reciprocate though she has a soft spot for him. When Sudeep (Sudeep) who is a millionaire and always gets what he wants has his eyes on Bindhu, realizes that she is in love with Nani. Sudeep kills Nani to clear his way to make advance on Bindhu. Nani is reborn as a housefly and vows to avenge his death and protect his love.
Let us first try to dissect the ridiculousness of the plot. The fly (Eega in Telugu) does not have any telepathic, telekinetic or healing powers. It is just a common housefly but with a determination. How can it possibly affect a bull of a cruel intelligent man with everything at his disposal defines the innovative script. Rajamouli throws in a healthy bunch of ideas on what all ways that a housefly can give literally sleepless nights to the antagonist well helped by accepted norm of coincidences in Indian cinema. Adding to that the lead female character is a micro artist who extends her expertise to equip the housefly with a mask and weoponized gloves.
When it comes to a default Rajamouli movie there is a certain pattern that he normally follows. The protagonist is a regular guy who gets placed in an extraordinary circumstance while inducing all the commercial elements of song and action sequences in the precise positions delivering a guaranteed hit with the masses. Here he sheds off everything that made his earlier blockbusters (well most of it) and comes up with a fresh presentation that works wonders. A special commendation to Sudeep, though he plays your default villain of Telugu cinema - does it with comic book style panache. Background score by M.M. Keeravani is as usual elevated for Rajamouli movies, cinematography is excellent especially in the stages when the fly is just born. Samantha has an important but a very simple role to play and she does a decent job. The extended climax is completely unnecessary and it is intended especially for Telugu audience craving for a happy ending. Another important aspect to be considered here is that, when taken into account of other creature based movies like 'Finding Nemo' or 'A bugs life' or even 'Wall-E', all these characters have a well defined face (at least eyes and eye brows) which help the animators show real expressions which was not possible here. The animators have to rely on just body language to show all the emotions where they do an excellent job.
Original, creative, audacious and ridiculous
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