A woman goes on the hunt for her dream man, armed with her wild imagination, her passion for Masala-films, and her ultra-sensitive sense of smell.

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Cast

Cast overview, first billed only:
...
Meenakshi Deshpande
...
Surya (as Prithviraj)
Nirmiti Sawant ...
Aai, Meenakshi's mother
Subodh Bhave ...
Madhav
Jyoti Subhash ...
Dadi, Meenakshi's grandma
Satish Alekar ...
Baba, Meenakshi's father
Anita Date ...
Mynah
Amey Wagh ...
Nana
Kishori Balal ...
Surya's mother (as Kishori Ballal)
Pakoda Pandi ...
Pakkada, canteen boy (as Pakkada Pandi)
Shubhangi Damle ...
Madhav's mother
Umesh Kulkarni ...
Newspaper boy
Suraj Satav ...
College registrar
Prashant Tapaswi ...
College peon (as Prashant Tapaswee)
Dinesh Mapari ...
Auto rickshaw driver
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Storyline

Wildly imaginative and film-obsessed, Meenakshi Deshpande has an extra sensitive nose. After she is hired to work in a local college's library, she catches a wonderful scent in the air. The source is Surya, a handsome and enigmatic art student from a Tamil family. Meanwhile, Meenakshi's eccentric Marathi family has arranged for her marriage to Madhav, a kind and sensible man. Meenakshi is torn between marrying her parents' choice for a seemingly ideal husband, or following her nose and chasing the hunky stranger who may or may not be all that he seems. Written by L. Hamre

Plot Summary | Add Synopsis

Taglines:

Go wakda (Go crooked/wacky)

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Comedy

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Release Date:

12 October 2012 (India)  »

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User Reviews

 
A wonderfully bizarre comedy and a delightful Mukherjee
29 December 2012 | by (Earth) – See all my reviews

Aiyyaa was a major critical and financial failure, but having seen the nice trailer and liked it, and considering the fact that Rani Mukherjee is in it, I most willingly decided to watch it. I personally found Aiyya to be thoroughly enjoyable. It is a slightly mad but totally relatable comic ride which is well written and acted and which has plenty of great moments. The humour is indeed very different from what we are used to watching in the usual Bollywood fare, and the basic concept of a woman just going 'aiyyaa' over a stranger whose mysterious fragrance attracts her the most may be quite weird at points. But, it is this very premise which makes this little film ever more unique and funny. The film is portrayed rather realistically, with the sets, costumes and dialogue giving it an engaging sense of everyday simplicity, while being consistently humorous. The portrayal of Meenakshi's Marathi family is very amusing, and the songs are quite fun to watch. Aiyyaa's biggest strength, however, is the portrayal of its main character; Meenakshi finds a way to deal with her everyday troubles through the power of the imagination. She creates her own perfect, spiritual world, using her dreams without really losing herself. In this regard, Aiyyaa works as a mini-celebration of the human spirit.

All of this, however, wouldn't have been the same without the wonderful presence of Rani Mukherjee. Mukherjee is a true delight in this film. Her last great performance was in a minuscule part in Saawariya, and it's been ages since we've seen her really immerse herself into a character, as she does here. As Meenakshi, she is hilarious and at times just borderline self-deprecatory. It is this uninhibited, fearless quality that makes this comic performance work so well. Her dance numbers, needless to say, are brilliant and she looks a million bucks in each one of them. South Indian actor Prithviraj is for the most part a mere presence on-screen, but he does pretty well and is good foil for Mukherjee. The other members of the cast are all very good and turn in nice and funny acts. Towards the end the film provides us with some of its most beautiful sequences. The climactic scenes are very surprising and the ending is unexpected and rewarding. This is also the opportunity to note the excellent cinematography, and the amazing background score, which enhance the narrative. Aiyyaa is an absolute laugh riot which has been misunderstood and rejected by critics and audiences just for the wrong reasons. I liked it, and would definitely recommend it to Hindi film buffs.


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