A young man returns to his family farm, after a long stay in ex-gay conversion therapy, and is torn between the expectations of his emotionally distant father, and the memories of a past, loving relationship he has tried to bury.
Benny, a college freshman at the University of Akron, Ohio meets and falls for fellow freshman Christopher at a football game. With the support of their families and friends they embark on ... See full summary »
The movie focuses on Kristine, an art historian. Kristine's personal life take a dramatic twist when the whole family is gathering together and the secrets of the past are being revealed at her gracious mansion in the French countryside.
An English mother and teenage son spend a week in the South of France breaking up a summer home that has become one of the casualties of the boy's parents' crumbling marriage. Matters only become more complicated when an enigmatic local boy enters their lives.
When naming gay writers, Elliot says the name of Victor Hugo, adding that he had to wait for his mother to die to be with the person he loved, this is not true as Victor Hugo was well known for his love of women, especially prostitutes. See more »
Catch the Wind
Written by Oliver Daldry
Performed by Oliver Daldry See more »
Exquisite family drama as nuclear family implodes into something more interesting
Andrew Steggall's lovingly directed first feature is a breath of fresh air in the British cinema scene. What at first sight looks to be a quite familiar LGBT coming of age story is turned by Steggall and his lead actress, Juliet Stevenson, into a far deeper and more engaging story. Elliott's (Alex Lawther) discovery of his own sexuality is beautifully framed against the collapse of his parents' marriage and their discovery that their lives had been based on falsehoods that, in some sense had crept up on them unawares. This is a film that will reach out far beyond the LGBT market and should do well across the European art scene. Very finely and delicately shot in the Languedoc region of France it establishes Steggall as a truly new voice in British cinema - not just composed and assured in the medium but with a distinct aesthetic of his own. It will be fascinating to see where he goes in his next feature - surely a larger and even more ambitious project.
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