Mina has decided to leave her older husband Morteza after ten years of marriage. Next Monday will be her divorce date, which means her first step towards her goal; immigration. However, the... See full summary »
Mohammad Reza Forutan,
The Mahmoodies live in an old large house, having traditional values and beliefs. They have decided to renovate the building. Mrs. Mahmoodi's niece arrives with her architect husband to ... See full summary »
Fifteen year old Taraneh, whose widowed father is in jail, refuses the unwanted attentions of carpet salesman Amir - until Amir's mother talks Taraneh into accepting Amir's marriage ... See full summary »
Niloufar (Taraneh Alidoosti) lives with her family. After an incident happened, her family exposed to a deep trouble: they have to provide a large amount of money to save a family member's life while they have only three days ...
Akbar has just turned eighteen. He has been held in a rehabilitation centre for committing murder at the age of sixteen when he was condemned to death. Legally speaking, he had to reach the... See full summary »
A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...
A piano teacher (Mahnaz Afshar) faced with a major event in her personal life, some secrets of her husband life is revealed ... In a two-way decision, she must either make her choice in ... See full summary »
I tend to like Iranian cinema, but this tale of an urban middle class couple (Kaveh, played by Mani Haghighi, who also wrote and directed the movie, and Leyla, played by the lovely Taraneh Alidoosti, who has starred in several films of director Asghar Farhadi), going through the impoverished countryside, throwing bags of money to poor peasants, seems contrived and pretentious. Their motives are never made clear, in fact neither it is whether they are in fact a couple or a brother and a sister. Leyla comes across as a particularly loathsome character, always irritable for no reason, not a mean feat as she is portrayed by the lovely Alidoosti.
This is a one idea movie, and a confused idea at that. If the best Iranian cinema is characterized by its humanistic, compassionate view towards its poor subjects, this movie is instead awfully and painfully condescending towards them. Add to that the incredibly pretentious and unbelievable dialogue, and this is an almost unwatchable film.
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