I Give It a Year (2013)
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- R
- 1h 37min
- Comedy, Romance
- 08 Feb 2013 (UK)
- Movie
Newlywed couple Nat and Josh are deliriously happy despite their differences, though friends and family aren't convinced that they can last. With their first anniversary approaching and attractive alternatives in the mix, can they last?
Director:
Writer:
Stars:
Awards:
- 1 win & 1 nomination.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Rose Byrne | ... |
Nat
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| Rafe Spall | ... |
Josh
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| Minnie Driver | ... |
Naomi
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| Alex Macqueen | ... |
Minister
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| Stephen Merchant | ... |
Danny
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| Jane Asher | ... |
Diana
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| Terence Harvey | ... |
Alec
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| Jason Flemyng | ... |
Hugh
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| Nigel Planer | ... |
Brian
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Maisy Mazer | ... |
Bridesmaid
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Matilda Thykier | ... |
Bridesmaid
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| Clare Higgins | ... |
Elaine
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| Anna Faris | ... |
Chloe
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| Kevin Moore | ... |
Toastmaster
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| Olivia Colman | ... |
Linda
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| Alisha Bailey | ... |
Kate
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| Kerry Howard | ... |
Clare
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| Daisy Haggard | ... |
Helen
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| Tim Key | ... |
Alan
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| Simon Baker | ... |
Guy
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| Djalenga Scott | ... |
Alexandra
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| Joseph Millson | ... |
Charlie
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Sue Wallace | ... |
Janet
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| Daisy Donovan | ... |
Partygoer
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William Andrews | ... |
Joke Thief
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| Derek Hutchinson | ... |
Business Guy
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| Hasina Haque | ... |
Preeta
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| Pandora Colin | ... |
Jane
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| Martin Trenaman | ... |
HR Man
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| Anna Skellern | ... |
Claudia
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| Dustin Demri-Burns | ... |
Dove Violinist
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Clare Welch | ... |
Granny
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Audrey Nicholson | ... |
Woman with Taxi
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Peter Mair | ... |
Man with Taxi
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| Rest of cast listed alphabetically: | |||
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Lee Asquith-Coe | ... |
Party Goer (uncredited)
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Paul Blackwell | ... |
Waiter at Wedding (uncredited)
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Leon Corbin | ... |
Passerby (uncredited)
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Eva Dagoo | ... |
Fireworks guest (uncredited)
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Ray Donn | ... |
Eurostar Passenger (uncredited)
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| Napoleon Dozier | ... |
Leftie (uncredited)
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James Fiddy | ... |
Wedding guest (uncredited)
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Salem Hanna | ... |
Bonfire Party Attendant (uncredited)
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James Hare | ... |
Jenny's husband (uncredited)
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Bron James | ... |
Wedding Guest (uncredited)
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Ali Jardine | ... |
Passenger (uncredited)
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Martin John King | ... |
Roger (uncredited)
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| Debra Leigh-Taylor | ... |
Wedding Guest & Party Goer (uncredited)
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Simone Liebman | ... |
Client (uncredited)
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Shaun Lucas | ... |
Wedding Guest (uncredited)
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| João Costa Menezes | ... |
Client (uncredited)
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| Tony Montalbano | ... |
Clubber (uncredited)
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Shane Salter | ... |
Christmas Party Guest (uncredited)
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| Tina Simmons | ... |
Wedding Guest (uncredited)
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Marcus Sinclair | ... |
Pool bar Patron (uncredited)
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June Smith | ... |
Xmas Party Reveller (uncredited)
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Glen Stanway | ... |
Wedding Guest (uncredited)
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Senem Temiz | ... |
Client (uncredited)
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| Glenn Webster | ... |
Eurostar Staff (uncredited)
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Philip Widdicombe | ... |
Wedding Guest (uncredited)
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Directed by
| Dan Mazer | ||
Written by
| Dan Mazer | ... | (written by) |
Produced by
| Tim Bevan | ... | producer |
| Liza Chasin | ... | executive producer |
| Olivier Courson | ... | executive producer |
| Eric Fellner | ... | producer |
| Ron Halpern | ... | executive producer |
| Debra Hayward | ... | executive producer |
| Jane Hooks | ... | co-producer |
| Kris Thykier | ... | producer |
Music by
| Ilan Eshkeri | ||
Cinematography by
| Ben Davis | ... | director of photography |
Editing by
| Tony Cranstoun | ||
Editorial Department
| Mike Andrews | ... | digital film technician |
| Pete Conlin | ... | post production (uncredited) |
| Michelle Cort | ... | digital intermediate conform editor |
| Theresa Crooks | ... | digital intermediate conform editor |
| Liam Donaghy | ... | avid tech / digital dailies operator |
| Tim Drewett | ... | digital intermediate conform editor |
| Olivier Girard | ... | colorist: dailies |
| Jonathan Hoffman | ... | post production (uncredited) |
| Jan Hogevold | ... | post production services |
| Matt James | ... | digital intermediate manager |
| Steve Knight | ... | digital intermediate coordinator |
| Justin Lanchbury | ... | digital intermediate film consultant |
| Andrew Melhuish | ... | first assistant editor |
| James Osborne | ... | colorist: dailies |
| Steve Owen | ... | data transfer |
| Gareth Parry | ... | on-line editor |
| Fiona Starogardzki | ... | second assistant editor |
| Tom Sugden | ... | digital intermediate conform editor |
| Jamie Welsh | ... | digital intermediate conform editor |
| Katelin Westwood | ... | data transfer |
| Heather Goodwillie | ... | post production (uncredited) |
| Romain Kedochim | ... | avid technician (uncredited) |
Casting By
| Lucinda Syson | ||
Production Design by
| Simon Elliott | ||
Art Direction by
| Bill Crutcher | ... | supervising art director |
| James Wakefield | ||
Set Decoration by
| Rebecca Alleway | ||
Costume Design by
| Charlotte Walter | ||
Makeup Department
| Christine Blundell | ... | hair stylist / makeup artist |
| Katy Rose Cunningham | ... | assistant makeup artist |
| Danny Defreitas | ... | makeup artist |
| Catherine Edwards | ... | assistant makeup artist |
| Sophie Finch | ... | trainee make up artist |
| Soleil Jackson | ... | makeup artist |
| Monica MacDonald | ... | makeup artist |
| Nuria Mbomio | ... | hair stylist / makeup artist |
| Helen Conroy | ... | hair & makeup artist: dailies (uncredited) |
Production Management
| Kate Fasulo | ... | production supervisor: Working Title |
| Deborah Harding | ... | post-production supervisor |
| Chris Johnston | ... | unit manager |
| Samantha Knox-Johnston | ... | production manager |
Second Unit Director or Assistant Director
| Phil Booth | ... | first assistant director |
| Glen Carroll | ... | crowd second assistant director |
| Marce Clarke | ... | assistant director (as Marcia Clarke) |
| Chris Foggin | ... | third assistant director |
| Paul Hayes | ... | assistant director |
| Sarah MacFarlane | ... | second assistant director: second unit |
| Laurie Mahon | ... | trainee assistant director |
| James Manning | ... | second assistant director |
| Tom White | ... | first assistant director: second unit |
Art Department
| Mairi Claire Bowser | ... | trainee buyer |
| Temple Clark | ... | storyboard artist |
| Rachel Corbould | ... | petty cash buyer |
| Kevin Day | ... | chargehand stand-by props |
| Nicola De Fresnes | ... | production buyer |
| Andrew Forrest | ... | standby props |
| Martin Hubbard | ... | H O D Carpenter |
| Jason Ivall | ... | supervising painter |
| Gemma Kingsley | ... | graphic artist |
| Lisa McDiarmid | ... | standby art director |
| Amy Meakin | ... | prop storeman |
| Russell Oxley | ... | scenic artist |
| Helen Player | ... | petty cash buyer |
| Jenny Ray | ... | prop store person |
| Malcolm Roberts | ... | construction coordinator |
| Kevin Timon Hill | ... | art department assistant (as Kevin J.J. Hill) |
| Robert Voysey | ... | Assistant Construction Manager |
| Brigitte Ward-Holmes | ... | construction buyer |
| Daniel Woodard | ... | props |
Sound Department
| Peter Gleaves | ... | adr mixer |
| Markus Glunz | ... | adr recordist |
| Paul Hanks | ... | foley artist |
| Martin Jensen | ... | re-recording mixer |
| Adam Lavis | ... | sound studio support |
| Gerard Loret | ... | sound conform editor |
| Matt Loveridge | ... | sound trainee |
| Alan MacFeely | ... | pro tools playback operator |
| Ben Meechan | ... | sound effects editor |
| Zak Melemendjian | ... | dialogue editor |
| Dan Morgan | ... | supervising dialogue & adr editor |
| Bernard O'Reilly | ... | additional dialogue editor |
| James Ridgway | ... | assistant re-recording mixer |
| Julian Slater | ... | supervising sound editor |
| Simon Trundle | ... | foley mixer |
| Ian Waggott | ... | foley artist |
Special Effects by
| Graham Aikman | ... | senior special effects technician |
| Neal Champion | ... | special effects supervisor |
| Luke Corbyn | ... | special effects technician |
| Bernard Newton | ... | special effects senior technician |
Visual Effects by
| Moti Biran | ... | digital compositor |
| David Bryan | ... | digital artist |
| Martin Chamney | ... | cg supervisor |
| Sam Churchill | ... | visual effects artist |
| Oliver Cubbage | ... | digital artist: Nvizible |
| Gavin Digby | ... | digital compositor |
| Harriet Donington | ... | business development producer: nvizible |
| Paddy Eason | ... | visual effects supervisor |
| Riccardo Gambi | ... | digital compositor |
| Stefan Gerstheimer | ... | cg supervisor |
| Matt Kasmir | ... | digital compositor: Nvizible |
| Lisa Kelly | ... | visual effects coordinator: Nvizible |
| Simon Kilroe | ... | digital compositor |
| Charlotte Larive | ... | digital compositor: Nvizible |
| Adam Miels | ... | pipeline technical director: nvizible |
| Simon-Pierre Puech | ... | digital compositor: Nvizible |
| Adam Rowland | ... | digital compositor |
| Asa Shoul | ... | digital colourist |
| Kris Wright | ... | visual effects producer: Nvizible (as Kristopher Wright) |
Stunts
| Sarah Lochlan | ... | stunt performer |
| Tony Lucken | ... | stunt coordinator |
Camera and Electrical Department
| Will Akbar | ... | vt operator |
| Marc Atherfold | ... | first assistant camera |
| Lawrence Beckwith | ... | second assistant camera: 2nd unit |
| Fred Brown | ... | electrician |
| David Cozens | ... | first assistant camera |
| Joe Dibble | ... | digital imaging technician trainee |
| Will Finch | ... | best boy / lighting technician |
| Jack Flemming | ... | grip: "b" camera |
| John Flemming | ... | key grip |
| Charlie Gray | ... | specials photographer |
| Jordan Halstead | ... | camera trainee |
| Tommy Holman | ... | second assistant camera: "a" camera |
| Neirin Jones | ... | digital imaging technician (as Nye Jones) |
| Giles Keyte | ... | still photographer |
| Dora Krolikowska | ... | second assistant camera: "b" camera |
| Alison Lai | ... | second assistant camera: dailies |
| Adam McGrady | ... | video assist trainee: dailies |
| Julian Morson | ... | second unit director of photography |
| Tim Neill | ... | electrician |
| Steve Petrie | ... | additional video operator |
| Andrew Purdy | ... | lighting technician |
| Sam Renton | ... | camera operator |
| Jack Ridout | ... | lighting technician |
| Stuart Sheppard | ... | rigging electrician |
| Frank Shields | ... | console operator / lighting console operator |
| David Smith | ... | gaffer |
| Jonathan Tomlin | ... | playback/DIT trainee |
| Michael White | ... | supervising practical electrician |
| Zoe Whittaker | ... | video operator |
| Tim Dean | ... | libra head technician (uncredited) |
| Ian Speed | ... | libra technician (uncredited) |
Casting Department
| Solomon Artistes | ... | extras casting |
| Louis Elman | ... | adr voice casting |
| Kate Ringsell | ... | casting associate |
Costume and Wardrobe Department
| Beth Collins | ... | costume assistant |
| Graham Docherty | ... | set costumer |
| Alex Grace | ... | costume assistant |
| Emma Harding | ... | costume assistant |
| Harriet Kendall | ... | costume assistant: daily |
| David Otzen | ... | principal costumer |
| Sarah Jane Reichert | ... | costume assistant |
| Hannah Walter | ... | costume supervisor |
Location Management
| John Crampton | ... | 2nd unit location unit manager |
| Damon Crane | ... | location scout |
| Alex Darby | ... | location assistant |
| Gianmarco Donaggio | ... | location assistant: dailies |
| Suzie Irlam | ... | location coordinator |
| Sarah Kate Lewis | ... | location assistant |
| Philip Lobban | ... | location scout |
| Stephen Parker | ... | location scout |
| Dani Rex-Byrd | ... | location marshall |
| Charlotte Wright | ... | location manager |
| Josh Yudkin | ... | second unit: location manager |
Music Department
| Nick Angel | ... | music supervisor |
| Andy Brown | ... | conductor (as Andrew Brown) / contractor (as Andrew Brown) |
| Daisy Chute | ... | orchestrator |
| Peter Clarke | ... | music editor |
| Josine Cohen | ... | music coordinator |
| Ashley Ezrachie | ... | Music Production Assistant |
| Kirsten Lane | ... | music consultant |
| Stephen McLaughlin | ... | music producer |
| Jeremy Murphy | ... | recording engineer |
| James Pickering | ... | guitars |
| Jeff Toyne | ... | music arranger |
| Tim Wheeler | ... | guitars |
| Steve Wright | ... | music programming |
Script and Continuity Department
| San Davey | ... | script supervisor |
| Lizzie Pritchard | ... | second unit script supervisor (as Elizabeth Pritchard) |
Transportation Department
| Mark Beeton | ... | unit driver |
| Julian Chapman | ... | personal driver: Rafe Spall |
| Glenn Charter | ... | unit driver |
| Louise Cornwell | ... | unit driver |
| Simon Davis | ... | unit driver |
| Michael Geary | ... | action vehicle supplier: Motorhouse |
| Jeff Hudson | ... | unit driver |
| Danny Mitchell | ... | swing co-ordinator |
| Barrie Williams | ... | transportation captain |
Additional Crew
| Jasmine Becker-Williams | ... | assistant to co-producer |
| Litza Bixler | ... | choreographer |
| Fran Broadhurst | ... | director assistant |
| Steve Cole | ... | security |
| Anita Cording | ... | second unit: medic |
| Adrianna Nielle Davies | ... | key production assistant |
| Christian De-vos | ... | head of security (as Christian Devos) |
| Thom Dobbin | ... | production assistant |
| Chloe Dorigan | ... | assistant to Tim Bevan |
| Daniel Emmerson | ... | assistant to executive producer Debra Hayward |
| Liam Foley | ... | development executive: Working Title Films |
| Catherine Francis | ... | assistant accountant |
| Henrietta Fuller | ... | cast assistant |
| Sian Green | ... | production runner |
| Clare Hardwick | ... | production secretary |
| Nicholas Hatton | ... | assistant production coordinator: Working Title |
| Samantha-Jane Hunt | ... | utility stand in/runner |
| James R. Kipping | ... | utility stand in/runner |
| Anna Krawczyk | ... | production accounts assistant |
| Kelly Maracin Krieg | ... | dailies |
| Brian Lee | ... | clearances and product placement |
| Sandrine Legrand Dealbera | ... | head of physical production: Studiocanal |
| Dan MacRae | ... | head of development: UK, Studiocanal |
| Laurie Mahon | ... | production assistant |
| Richard Neale | ... | on-set computer technician: CompuHire |
| Olivia Newhouse | ... | assistant: Eric Fellner, Working Title Films |
| Malcolm Pearce | ... | health & safety officer |
| Benjamin Perkins | ... | chaperone |
| Katherine Pomfret | ... | assistant to Eric Fellner |
| Pip Sansom | ... | assistant to Kris Thykier (as Pip Williams) |
| Tom Savage | ... | epk producer |
| Jack Sidey | ... | production coordinator: Working Title |
| Ana Stichini | ... | first assistant accountant |
| Matthews Street | ... | crew catering |
| Neil Swain | ... | dialect coach / dialogue coach |
| Jo Wallett | ... | production coordinator |
| Graham Walters | ... | craft service |
| John Pao Chuan Wang | ... | chinese subtitle translation (as John Wang) |
| Lucy Whitton | ... | archive researcher |
| Jannika Öberg | ... | assistant production coordinator |
| Matt Gossen | ... | assistant to Simon Baker (uncredited) |
Production Companies
- StudioCanal (presents)
- Anton (in association with)
- Starcrossed Films
- Paradis Films
- TF1 Films Production
- StudioCanal
- Canal+ (with the participation of)
- Ciné+ (with the participation of)
- TF1 (with the participation of)
- LOVEFiLM International (with the participation of)
- Working Title Films
- Translux
Distributors
- ACME (2013) (Estonia) (theatrical)
- ACME (2013) (Lithuania) (theatrical)
- ACME (2013) (Latvia) (theatrical)
- Alexandra Films (2013) (Bulgaria) (theatrical)
- Budapest Film (2013) (Hungary) (theatrical)
- Cascade Film (2013) (Russia) (theatrical)
- Cascade Ukraine (2013) (Ukraine) (theatrical)
- CatchPlay (2013) (Taiwan) (theatrical)
- E1 Entertainment Benelux (2013) (Netherlands) (theatrical)
- Entertainment One (2013) (Belgium) (theatrical)
- Filmcompagniet (2013) (Denmark) (theatrical)
- Hopscotch Films (2013) (Australia) (theatrical)
- InterCom (2013) (Hungary) (theatrical)
- InterComFilm (2013) (Romania) (theatrical)
- Intercontinental Film Distributors (HK) (2013) (Hong Kong) (theatrical)
- Magnolia Pictures (2013) (United States) (theatrical)
- Myndform (2013) (Iceland) (theatrical)
- NOS Audiovisuais (2013) (Portugal) (theatrical)
- SF Film Finland (2013) (Finland) (theatrical)
- SF Norge A/S (2013) (Norway) (theatrical)
- Shaw Organisation (2013) (Singapore) (theatrical)
- Starway Film Distribution (2013) (Belgium) (theatrical)
- StudioCanal Germany (2013) (Germany) (theatrical)
- StudioCanal UK (2013) (United Kingdom) (theatrical)
- StudioCanal (2013) (France) (theatrical)
- StudioCanal (2013) (Germany) (theatrical)
- StudioCanal (2013) (United Kingdom) (theatrical)
- Svensk Filmindustri (SF) (2013) (Sweden) (theatrical)
- Time Story Group (2013) (Korea) (theatrical)
- Village (2013) (Greece) (theatrical)
- Calinos Films (2013) (Turkey)
- Canale 5 (2016) (Italy) (tv)
- Disney+ (2022) (United Kingdom) (video) (VOD)
- Entertainment One (2013) (Netherlands) (DVD)
- Entertainment One (2013) (Netherlands) (Blu-ray) (DVD)
- Film1 (2013) (Netherlands) (tv) (limited)
- RCV Home Entertainment (2013) (Netherlands) (DVD)
- RCV Home Entertainment (2013) (Netherlands) (Blu-ray) (DVD)
- StudioCanal UK (2013) (United Kingdom) (Blu-ray) (DVD)
- StudioCanal (2013) (Germany) (DVD)
- StudioCanal (2013) (United Kingdom) (DVD)
- StudioCanal (2013) (United Kingdom) (Blu-ray) (DVD)
- TriPictures (2014) (Spain)
Special Effects
Other Companies
- 4K London (digital imaging services)
- ARRI Lighting Rental (lighting equipment: Ealing Studios)
- Above the Line Set Assistance & Security (security)
- Audio Network (additional music)
- Boom (sound post-production)
- Boom (sound re-recording)
- Camera Revolution (libra technician)
- Casting Collective (extras casting)
- Codex (digital recording equipment)
- Compuhire (computer playback)
- Film Finances (film completion guarantor)
- Halo Post Production (sound re-recording)
- Molinare Studio (post-production)
- NVIZ (visual effects)
- PMA Production (Electronic Press Kit Production)
- Panalux (lighting equipment by)
- Procam Take 2 (camera equipment)
- Sixteen19 (digital dailies)
- Sixteen19 (post-production services)
- The Domain Group (clearances and product placement)
- The Domain Group (clearances) (The Domain Group)
- Warner Bros. De Lane Lea (temp mix)
- Wildfire Studios (ADR Recording Facility)
Storyline
| Plot Summary |
After a seven month long passion-filled courtship, thirty-something Londoners Natasha Redford and Josh Moss get married despite they being mismatched in personality and temperament, something that their closest friends and family members can see - some who predict the marriage won't last a year - even if Nat and Josh themselves don't see it. Nat, a marketing company manager, is more professional and controlled. Josh, a novelist with a current case of writer's block, is more carefree and childlike. Nine months into their marriage, Nat and Josh have their first session with arguably the most distracted marriage counselor in the city, that session which may be the deciding factor in whether they continue in being husband and wife to each other. Their issues over the preceding nine months are told in flashback, and include little idiosyncrasies which annoy the other, and tensions with each's in-laws, beyond the general differences in their personalities. But what may be the biggest threat to a happily-ever-after for them as a couple may be temptations with others to who, at least on paper, each is more well suited. For Nat, that temptation is client Guy Harrap, an American manufacturer who, unknown to Nat, hired her firm solely in his personal attraction to her. For Josh, that temptation is his old girlfriend Chloe, an aide worker who only recently reentered his life after a four year stint away working in Africa, the two of them in theory never having really broken up in the first place. Written by Huggo |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | Director Dan Mazer was worried about the two main cast members, Rose Byrne and Rafe Spall, because when they met, they bonded and had great chemistry. But in the movie, the two aren't supposed to. See more » |
| Goofs | When Josh is listening to the voice mail from Chloe, his iPhone is still locked on the home screen. See more » |
| Movie Connections | Featured in Episode dated 6 February 2013 (2013). See more » |
| Soundtracks | Never Knew Love Like This Before See more » |
| Quotes |
Nat:
We have an incredible sex life, but that's not the point. I love the Michael Jackson "Off the Wall" album, but I wouldn't necessarily want to only listen to that the rest of my life. Naomi: Yeah, Oh honey, I been there. I mean you'll listen to it a lot in the beginning. You'll listen to it in all sorts of places. You'll listen to it in the car, in the disabled toilet cubicle in the McDonald's in Egham... in your unconscious Granny's hospital room. Nat: Granny Mary? Naomi: It's what she would have wanted... But then you know, you get to the point where you're not that bothered about listened to music at all. You just play it on birthdays or when you're very very drunk. Or, if someone shows you a Justin Bieber video when you're in the office and then you know, all you can think about is that. Chloe: Isn't he like 15? Naomi: Oh, he'd know what to do... I'd ruin Bieber! Nat: You Would! You would ruin him. See more » |