| Videos (see all 2) |
| Ben Lewis | ... | The Phantom | |
| Anna O'Byrne | ... | Christine Daaé | |
| María Mercedes | ... | Madame Giry | |
| Simon Gleeson | ... | Raoul | |
| Sharon Millerchip | ... | Meg Giry | |
| Emma J. Hawkins | ... | Fleck | |
| Paul Tabone | ... | Squelch | |
| Dean Vince | ... | Gangle | |
| Jack Lyall | ... | Gustave |
Directed by | |||
| Brett Sullivan | |||
| Simon Phillips | (stage direction) | ||
Writing credits | ||
| Andrew Lloyd Webber | (written by) and | |
| Ben Elton | (written by) and | |
| Glenn Slater | (written by) and | |
| Frederick Forsyth | (written by) | |
| Charles Hart | libretto revisions and | |
| Gaston Leroux | characters created by | |
Produced by | |||
| Clayton Jacobsen | .... | producer | |
| Andrew Lloyd Webber | .... | producer | |
| Helen Parker | .... | executive producer | |
| Naomi Stevens | .... | line producer | |
| Brett Sullivan | .... | producer | |
Film Editing by | |||
| Brett Sullivan | |||
| David Tregoning | |||
Costume Design by | |||
| Gabriela Tylesova | |||
Camera and Electrical Department | |||
| Steven Bailey | .... | first assistant camera | |
| Dane Clarke | .... | technocrane camera operator | |
| Caitlin Dooley | .... | second assistant camera | |
| Chaz Lyon | .... | first assistant camera | |
| Warren Tiedgen | .... | camera operator: "a" camera | |
Music Department | |||
| Andrew Lloyd Webber | .... | music by | |
Other crew | |||
| Graeme Murphy | .... | choreographer | |
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| The Phantom of the Opera at the Royal Albert Hall | The Phantom of the Opera | Just for Us | Summer Splendor | At Last, Okemah! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Beyond the spectacular singing, beautiful costumes, and amazing set design, Love Never Dies was a great disappointment. The story is simply not good: plot holes, out-of-character actions, and an absurd ending. I found it difficult to sympathize or identify with the characters. The plot also lacks narrative cohesion, almost as if the entire story is a weak collection of character vignettes. The conflicts of the plot are too dispersed to create a strong narrative. The lyrics also leave something to be desired. The whole thing came off as a musical version of a mediocre fan fiction. This was a very poor follow-up to the incomparable Phantom of the Opera.