Having relocated to a vivacious amusement resort in Coney Island, The Phantom of the Paris Opera House uses a pseudonym to invite renowned soprano Christine Daaé to perform. She and her ... See full summary »
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Having relocated to a vivacious amusement resort in Coney Island, The Phantom of the Paris Opera House uses a pseudonym to invite renowned soprano Christine Daaé to perform. She and her husband Raoul have no idea what lies in store. Written by
Anonymous
As featured in this Australian production of Love Never Dies, parts of the original libretto, music, costumes, story, and scenes have been revised and eliminated since the musical made its London debut in 2010. See more »
Goofs
During 'Gustave! Gustave!' Gustave says, 'Please Miss Giry I want to go back!' but his mouth doesn't move. The shot is from the scene afterwards when Meg takes him to the pier to drown him before the confrontation, while the other scene is in Coney while Christine & the Phantom are looking for him. See more »
Quotes
Gustave:
[Christine has introduced Gustave to the Phantom, without telling him who he is]
Why does he wear a mask, mother? Is he a magician?
Christine Daaé:
Yes, darling. In his way.
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My summary title alone should say it all. As a Phantom fan, I was actually looking forward to viewing this. Well, my very first thought upon exiting the theater was, "That was 2 plus hours of my life that I will never get back." Andrew Lloyd Webber must have temporarily gone insane to have even thought that this drivel was on the same level as The Phantom. It is nothing more than a stupid, insipid soap opera that gets more grotesque and harebrained by the second.
I felt absolutely no connection to Ben Lewis and his dry one dimensional performance, and I couldn't wait for him to exit the screen; and to even think that Ben Lewis "does the great Michael Crawford homage with his strong, clear voice." is an insult to Michael Crawford. Love Never Dies? This should have never been born.
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My summary title alone should say it all. As a Phantom fan, I was actually looking forward to viewing this. Well, my very first thought upon exiting the theater was, "That was 2 plus hours of my life that I will never get back." Andrew Lloyd Webber must have temporarily gone insane to have even thought that this drivel was on the same level as The Phantom. It is nothing more than a stupid, insipid soap opera that gets more grotesque and harebrained by the second.
I felt absolutely no connection to Ben Lewis and his dry one dimensional performance, and I couldn't wait for him to exit the screen; and to even think that Ben Lewis "does the great Michael Crawford homage with his strong, clear voice." is an insult to Michael Crawford. Love Never Dies? This should have never been born.