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Love Never Dies (II) (2012)

7.2
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Ratings: 7.2/10 from 914 users  
Reviews: 13 user | 26 critic

Having relocated to a vivacious amusement resort in Coney Island, The Phantom of the Paris Opera House uses a pseudonym to invite renowned soprano Christine Daaé to perform. She and her ... See full summary »

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Title: Love Never Dies (2012)

Love Never Dies (2012) on IMDb 7.2/10

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Cast

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María Mercedes ...
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Sharon Millerchip ...
Emma J. Hawkins ...
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Paul Tabone ...
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Dean Vince ...
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Jack Lyall ...
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Storyline

Having relocated to a vivacious amusement resort in Coney Island, The Phantom of the Paris Opera House uses a pseudonym to invite renowned soprano Christine Daaé to perform. She and her husband Raoul have no idea what lies in store. Written by Anonymous

Plot Summary | Plot Synopsis

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Details

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Release Date:

11 April 2012 (Canada)  »

Also Known As:

Love Never Dies  »

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2.35 : 1
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Did You Know?

Trivia

The Phantom is never referred to as 'the Phantom' during the show, but rather his pseudonym 'Mr. Y', 'master', 'sir' or 'you.' See more »

Goofs

In the 2004 rendition of "Phantom of the Opera" it shows Christine Daae's grave and the year of her death in 1917, however in "Love Never Dies" which is the sequel it reveals her death to be somewhere around 1905. See more »

Quotes

Meg Giry: I took a little trip to Coney Island. I took a little trip because of you. I did as mother said, and followed where you lead, and tried to do what little I could do. But, here's the way it works on Coney Island, they make you pay for every little crumb. I gave what they would take, I gave it for your sake. Now look at me and see what I've become. Bathing Beauty, on a beach. Bathing Beauty in her dressing room. Bathing Beauty in the dark, on their laps, in their arms, in their beds.
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Soundtracks

What A Dreadful Town!
Music by Andrew Lloyd Webber
Lyrics by Glenn Slater and Charles Hart
Performed by "Anna O'Byrne', Simon Gleeson and Jack Lyall
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User Reviews

 
VERY entertaining
8 March 2012 | by (Washington DC) – See all my reviews

Very entertaining film of the musical. Camera work left a lot to be desired, however: too much movement around action shots. Lighting was very dark, and much of the set was constantly in the dark. Yes, of course, much of the set is supposed to be, I guess, in this vehicle, but the people were poorly light frequently, and the focus seemed to be blurry. I wondered if they were trying to shoot "Mame" with Lucille Ball. Really nice score. Clearly a Weber opera with leitmotifs from other shows and particularly "The Phantom". Nice touches throughout. Pretty duets and ballads. Singing was quite fine overall. Anne O'Byrne was quite good. The opening Phantom ballad however was a bit stagy. He was trying to sound too hard, I thought, like the original with the wobbly voice.


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