When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
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A technical failure has endangered the lives of the people on board Peninsula Flight 2549. The pilots are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves body and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death. Written by
It is stated that the aircraft can't get permission for an emergency landing at any airport. The problem with this is twofold. First, it's hard to find a reason why no Spanish airport would allow an emergency landing of an aircraft with damaged landing gear (it would be somewhat reasonable in case of, say, an epidemic outbreak aboard the plane, but not in the case of a mechanical malfunction). Second, even if the Spanish authorities for some convoluted reason won't give the crew a permission to land, a flight from Madrid to Mexico City has enough fuel on board to reach literally hundreds of available airports throughout Europe, including some of the largest airports in the world (Heathrow, Amsterdam-Schiphol, Paris-CDG, Frankfurt or even Istanbul-Ataturk) perfectly prepared to deal with an A340 with mechanical problems. See more »
The cine-goer attends this movie in order to "laugh" and "have fun". He/she ends up confused and disappointed. That's because he/she is missing the point: this is not a comedy, it's much more than that. Don't stay on surface, it's a political allegory in many ways. If the cine-goer could "get it" we'd probably be living in a different political order.
Spain and the crisis in the EU: the passengers (and viewers/cine-goers) in the second class are sleeping during the flight and cannot understand what is really happening. They have no right to the truth. The same applies to the viewer and critic, this movie is so clever that proves that the viewer/critic is also asleep since he/she can't get what's behind the "comedy".
It is only the A-Class passengers that are free of manipulation and have the right to know the truth. The crew could represent in a way, the "technocrats". However, they all have their own problems and ethics
it is criticized the way they came up to "A-Class".
Now, take a moment to think: why did we watch the first scene with Penelope Cruz? Just that the director lets his friends do a small guest part? It's a world where nobody is doing his/her job properly. Instead of that, everybody cares about his/her "personal world" which becomes that hilarious like when tweeting messages while bleeding. Further more, it's a world full of political corruption and economic scandals. When do they all come from? It's a world of a meaningless individualism. And, under pressure, it's all about sex. Hallelujah Sigmund Freud.
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