WHO TOOK JOHNNY is an examination into an infamous thirty-year-old cold case: the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film ... See full summary »
A documentary series focusing on the ongoing Vietnam War, the Watergate scandal, evolving music industry, the Iran Hostage Crisis, the sexual revolution, and the rise of foreign and domestic terrorism.
Documentary about the fine and rare wine auction market centering around a counterfeiter who befriended the rich and powerful and sold millions of dollars of fraudulent wine through the top auction houses.
Three friends dream up the Compaq portable computer at a Texas diner in 1981, and soon find themselves battling mighty IBM for PC supremacy. Their improbable journey altered the future of computing and shaped the world we now know.
Three-time New York City Mayor (1978-1989) Ed Koch was combative, funny, and blunt. He was also intensely private. 'Koch' gives us a contemporary history of the world's greatest city, and an intimate portrait of the 86-year old former mayor, as he confronts his own mortality and legacy. The film examines issues still relevant today - race, homelessness, AIDS, and gay rights - and gives us a window into the trials and tribulations of the nation's most famous mayor in the world's most wondrous city. Written by
a warts-and-all look at one of NYC's most colorful figures
Marking the directorial debut of journalist Neil Barsky, the documentary "Koch" provides us with a comprehensive look at one of the most outspoken, colorful and controversial mayors in New York City history. Ed Koch served in that role for three tumultuous terms, from 1978 to 1989. He continued on as a robust, politically active advocate for the city he loved until his death on February 1, 2013 at the ripe old age of 88 (an event that happened shortly after the release of the movie).
The movie begins in 1977, a low point in New York City history, when the city itself was facing bankruptcy, the serial killer known as the Son of Sam was terrorizing the citizenry, and crime and hopelessness were the order of the day. It was into this quagmire of despair and seemingly intractable problems that a comparatively obscure New York congressman named Ed Koch ran for and won the highest office in the biggest city in America. The movie goes on to chronicle the ups and downs of Koch's time in office, his often uneasy relationship with large segments of the black community (charges of racism were not uncommon throughout his career), the emergence of the city from the shadows of bankruptcy under his leadership and the transformation of areas like Times Square from "dens of iniquity" to vibrant centers of tourism and business, bringing life back to the community. The movie also addresses the rumors of homosexuality that dogged Koch throughout his life, sometimes to the detriment of his career as a politician and sometimes not.
If Koch could be pigeonholed, he could be most accurately described as a fiscal conservative and a social liberal who believed strongly in gay rights and a woman's right to choose. This dichotomy frequently alienated a number of his natural constituencies, resulting in Koch's reputation for being forceful and courageous and for always being his own man. He also craved the spotlight and was not afraid to let his freak flag fly in pop culture settings, ranging from bit parts in movies (often playing himself) to roles on Broadway and appearances on "Saturday Night Live." In his third term, beginning in the mid '80's, Koch was haunted by a corruption scandal that permeated the city government (crimes investigated by an up-and-coming prosecutor by the name of Rudy Giuliani) and by a gay community that felt Koch was not responding with proper force to the then-burgeoning AIDS crisis. But this term was also marked by Koch's push for affordable housing and a falling crime rate. It was also the period in which he suffered a stroke. Finally, Koch was defeated in his attempt at securing a fourth term as mayor, but, even out of office and despite declining health, he remained ever active and engaged in the affairs of his town.
Because Koch died almost immediately after its release, there is obviously no reference to his passing in the movie. It also means that Koch is able to tell his own story in his own words, eliminating the need for a voice-over narrator. And all his friends, critics and colleagues get to speak of him as well in the present tense.
Thus, what was originally intended as a tribute has become a moving elegy to a man who, for all his failings, made his mark on the city as few others ever have or ever will.
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