During a zombie apocalypse ,a group of survivors hide on Alcatraz Island to escape from rising zombie hordes. When their refuge is overrun, and upon hearing that a scientist may have ... See full summary »
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Desperate to meet new girls, six down-on-their-luck guys come up with the ultimate plan to hook up - cast a fake movie. When tons of hot chicks show up for the audition, it's a matter of who's willing to go the farthest to get the part.
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A Jewish family, that just arrived in a new neighborhood, are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-crazed Neo-Nazi lunatics.
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Stars:
Sabine Mondestin,
Steve Lareau,
Lauren Watson
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Butch Bandi (Hawk Younkins) is a 'local hero', star of the high-school football team kind of guy. A staple of the small agricultural community of Death Valley Junction where he works in the... See full synopsis »
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Director:
Stephan Rick
Stars:
Maxim Mehmet,
Charly Hübner,
Petra Schmidt-Schaller
During a zombie apocalypse ,a group of survivors hide on Alcatraz Island to escape from rising zombie hordes. When their refuge is overrun, and upon hearing that a scientist may have discovered a cure, they leave the island to seek him out. Written by
G.N.
What do you want from a zombie apocalypse movie? Social commentary? Rich symbolism? Literary dialog?
Or, do you want wicked zombie gags, overacting, cheesy dialog and B-plus acting by B-minus actors glad to have the work?
All my friends from paragraph two, welcome to "Rise of the Zombies." You will not be disappointed.
A standard-grade zombie movie is the best you can hope for from The Asylum, whose previous living-dead efforts include the aptly named "Zombie Apocalypse" and better-than-it-deserved-to-be "I Am Omega."
But the low-rent production house ups its game here, with some decent location shooting in San Francisco, some really gross zombies, more- than-decent acting turns by Jordi Kunte Kinte Reading Rainbow LaForge and the sane Hemingway sister, and a performance by Machete that's everything you expect and nothing more, because what you see is all he was paid to do.
The Asylum seems to excel at zombie movies because they're cheap and easy. What's nice is, despite that, they seem to be having fun making these pictures and that fun is evident on screen. "Abraham Lincoln Versus Zombies" was a freakin' hoot. And the aforementioned "I Am Omega" was a more enjoyable adaptation of the Matheson novella than Will Smith's blockbuster ever could be.
That's not so in some of The Asylum's other efforts, like its haunted house or found-footage movies, for example, which are boring and sullen. So, let's encourage the good stuff in the hopes it'll make more of it.
This one's definitely worth the buck-and-a-quarter at Redbox.
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What do you want from a zombie apocalypse movie? Social commentary? Rich symbolism? Literary dialog?
Or, do you want wicked zombie gags, overacting, cheesy dialog and B-plus acting by B-minus actors glad to have the work?
All my friends from paragraph two, welcome to "Rise of the Zombies." You will not be disappointed.
A standard-grade zombie movie is the best you can hope for from The Asylum, whose previous living-dead efforts include the aptly named "Zombie Apocalypse" and better-than-it-deserved-to-be "I Am Omega."
But the low-rent production house ups its game here, with some decent location shooting in San Francisco, some really gross zombies, more- than-decent acting turns by Jordi Kunte Kinte Reading Rainbow LaForge and the sane Hemingway sister, and a performance by Machete that's everything you expect and nothing more, because what you see is all he was paid to do.
The Asylum seems to excel at zombie movies because they're cheap and easy. What's nice is, despite that, they seem to be having fun making these pictures and that fun is evident on screen. "Abraham Lincoln Versus Zombies" was a freakin' hoot. And the aforementioned "I Am Omega" was a more enjoyable adaptation of the Matheson novella than Will Smith's blockbuster ever could be.
That's not so in some of The Asylum's other efforts, like its haunted house or found-footage movies, for example, which are boring and sullen. So, let's encourage the good stuff in the hopes it'll make more of it.
This one's definitely worth the buck-and-a-quarter at Redbox.