Returning to her childhood home in Louisiana to recuperate from a horrific car accident, Jessabelle comes face to face with a long-tormented spirit that has been seeking her return -- and has no intention of letting her escape.
New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city.
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan
In 1974, Oxford professor Joseph Coupland invites introspective lad Brian McNeil to film his experimental treatment of subject Jane Harper, aided by student assistants Krissi Dalton and Harry Abrams. Jane, a young woman with no memory of the past and repeatedly abandoned by foster families, believes herself possessed by a doll named Evey that gives her telekinetic power. Keeping her awake in an isolated house, Prof. Coupland intends that she puts her evil energy into an actual doll, thereafter destroying it to heal Jane. Amidst strange things happening in the house, Brian feels sorry for Jane and, researching her tattoo, learns an evil secret about Jane's past, and of Prof. Coupland's motivation. Written by
Claudio Carvalho, Rio de Janeiro, Brazil / revised by statmanjeff
Sam Claffin trained in 70s filmmaking and shot some scenes. See more »
"Cum on Feel the Noize" by 'Slade' was released in 1973 and is appropriate for the 1974 timeline. The track played in the movie is not the cover of the song recorded by Quiet Riot in 1983.
The version of Silver Machine played over the closing credits, however, is by Steven Roth and was recorded in about 2012. Although Rob Calvert and Steve MacManus are credited as writers, the 1972 Hawkwind original recording, featuring the late Lemmy, is not used. See more »
You know, killing a young woman is a wonderful way to create a ghost.
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The film is slow, plodding and lacks any depth. The scares don't scare. It lacks suspense or creepiness. Character development falls flat on it's face; you just don't become endeared to any of the characters, at all. Rory Fleck-Byrne and Erin Richards seem completely redundant in the film. Jared Harris performed well, but even he couldn't save this one. I think the whole possession thing has been done to death, and to pull it off nowadays takes strong characters, a solid story and a bit of a twist. Insidious for example. I personally wouldn't waste time and money on the film. Wait until it comes on TV in a couple of years. Definitely not a must watch movie.
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