A hairdresser who has lost her hair to cancer finds out her husband is having an affair, travels to Italy for her daughter's wedding and meets a widower who still blames the world for the loss of his wife.
Set in the world of mega-churches in which a former Deadhead-turned-born again-Christian finds himself on the run from fundamentalist members of his mega-church who will do anything to protect their larger-than-life pastor.
Richard and Kate are a divorced couple who have an amicable relationship. Richard who's about to retire learns that his company's assets have been frozen because it's under investigation and that includes the pension fund. When the owner goes out of the country, Richard decides to pursue him and Kate goes with him. When they learn the man doesn't care about the employees, they decide to get the money some other way; by stealing the diamond he gave his girlfriend. So they follow them and Kate gets close to the girlfriend. Written by
Pierce Brosnan (Richard) and Tuppence Middleton (Sophie) also appear together in 'A long way down' (2014). Pierce Brosnan played Martin, a man who intended to commit suicide, and Tuppence Middleton played a journalist who met Martin and his friends in Tenerife. See more »
During the brunch scene when Kate first suggests stealing the Eye of the Rainbow diamond, the first two times she points at the tabloid photo Manon is wearing a different diamond, circular with a pearl necklace. The third time the photo is shown, she is wearing the actual teardrop diamond, with a plain necklace. See more »
I think that liking them is much more important than loving them, actually. Love is easy to fall into. Liking is much harder. Think of your wedding as a driving test. You take it, you pass, and then you really start to learn how to drive. Or you crash.
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Middle-aged heist. Won't upset granny, fun & occasionally funny.
Kate (Emma Thompson) and Richard (Pierce Brosnan) are a happily divorced couple, with two well-mannered children, an excellent (platonic) friendship, a comfortable home each, a lifestyle many aspire to and retirement that is pleasantly near. Then Richard discovers an unscrupulous businessman has stripped his company of all its assets and left them, and many of his staff, jobless and unable to pay the mortgage. With retirement on hold, they hatch a plan to exact their revenge and seize back their money. All they need to do is steal his latest acquisition: the world's biggest diamond.
The Love Punch is fluff. It is nonsense, deeply flawed, as shallow and predictable as a stomp in a puddle and unlikely to bother any award ceremonies or be a threat to any hard-hitting movies currently vying for screen space. However, it is also completely inoffensive, mostly fun, occasionally funny and the kind of film you can take the family (including granny) along to without causing anyone any offence. Just make sure you reward your teenagers with something they actually want to see afterwards; they just might need a does of Afflicted to clean the fluff from their brains afterwards.
Emma Thompson and Pierce Brosnan had apparently wanted to work together for years but had been waiting for the right project to come along. Joel Hopkins, with whom Thompson worked on Last Chance Harvey, granted their wish. Perhaps they should have waited a little longer.
The Love Punch is simplistic, ill thought out and riddled with errors. At one point, director/writer Hopkins has Richard moan "What do you think we are? The Pink Panther?", presumably unaware that the Pink Panther was not the thief but the diamond itself. It is this kind of silly clumsiness that spoils the enjoyment.
Though Timothy Spall and Celia Imrie, as their friends Jerry and Penelope, are welcome additions to proceedings and enable the heist to get underway, the comedy highlights generally occur between Thompson and Brosnan when Kate and Richard are alone and just getting on with their relationship. Most of the stilted moments and embarrassing clunks occur, much like in Brosnan's recent swamp experience, A Long Way Down, when all four are together and trying too hard to be funny.
The Love Punch falls short of the effortless humour and feel great factor of 2011's The Best Exotic Marigold Hotel but it is far from being a turkey. It lacks the sharpness required to really satisfy and, with a little more work, it could have been a riot, but it is an easy, enjoyable waste of 90 minutes.
Overall, The Love Punch is like that third mug of tea on a lazy Sunday morning; it's quite enjoyable but you didn't really need it, it doesn't match expectations and you certainly won't remember it this time next week.
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