Directed by
Aaron Wilson |
Writing Credits (in alphabetical order)
Aaron Wilson | ... | (writer) |
Cast (in credits order) complete, awaiting verification
Khan Chittenden | ... | Jim | |
Morning Tzu-Yi Mo | ... | Seng (as MO Tzu-Yi) | |
Yoshi Yamamoto | ... | Japanese Soldier | |
Robert Menzies | ... | Older Jim | |
Edwina Wren | ... | Wife | |
Ryoichi Uchikoshi | ... | Japanese Voice (voice) | |
Masaki Sato | ... | Japanese Voice (voice) |
Produced by
Michael Favelle | ... | executive producer |
Katrina Fleming | ... | executive producer / producer |
Shaun Miller | ... | executive producer |
Aaron Wilson | ... | producer |
Cinematography by
Stefan Duscio |
Editing by
Cindy Clarkson |
Casting By
Jane Norris |
Production Design by
Tim Burgin |
Art Direction by
James Page |
Costume Design by
Maria Tsoukas |
Makeup Department
Helena Jankowski | ... | makeup effects |
Dollei Seah | ... | key makeup artist |
Aiyi Zyou | ... | makeup artist |
Production Management
Tom Booth | ... | production manager |
Sufyan Sam'an | ... | production manager |
Second Unit Director or Assistant Director
Mina Jafari | ... | second assistant director |
Cecilia Koh | ... | first assistant director (as Pey Yun Koh) |
Richard Vette | ... | first assistant director |
Art Department
Iskandar | ... | art department assistant |
Sound Department
Nic Buchanan | ... | sound editor |
James Choong | ... | location sound |
Chris Goodes | ... | sound re-recording mixer: Dolby Atmos Mix |
Doron Kipen | ... | re-recording mixer |
Rodney Lowe | ... | supervising sound editor |
Robert Mackenzie | ... | sound design: preliminary |
Les Molnar | ... | sound producer |
Kian Hwa Ng | ... | boom operator |
Vijay Rai | ... | add. foley sound design |
Caterina Timpano | ... | sound editor |
Peter Climpson | ... | dialogue editor (uncredited) |
Visual Effects by
Steven Cheah | ... | visual effects artist |
Travis Hogg | ... | visual effects supervisor |
Nicolas Miroglio | ... | visual effects artist |
Mary Jade Ngo | ... | visual effects artist |
Adrian Oostergetel | ... | visual effects artist |
Joel San Juan | ... | steadycam operator |
Nick Wright | ... | visual effects supervisor |
Camera and Electrical Department
Juan Qi An | ... | data wrangler |
Eddie Barlow | ... | grip |
Thom Holt | ... | best boy |
Kee King Li | ... | key grip |
Benjamin Ong | ... | best boy |
David Parkinson | ... | gaffer |
Joel San Juan | ... | steadicam operator |
Bert Tan | ... | gaffer / key grip |
Eric Tan | ... | grip |
Ari Wegner | ... | first assistant camera |
Costume and Wardrobe Department
Tania Sng | ... | wardrobe |
Editorial Department
Marcus Herrick | ... | colorist / post-production supervisor |
Location Management
Lisa Sbarrato | ... | locations and unit manager |
Music Department
Bernard Galbally | ... | music supervisor |
Script and Continuity Department
Margot McDonald | ... | script editor |
Additional Crew
Jess Everingham | ... | production runner |
La-Râ Hinckeldeyn | ... | production assistant |
Jean Anne Leong | ... | production assistant |
Shaun Miller | ... | legals |
Lilli Monneman | ... | production runner |
Humphrey Thorne | ... | production runner |
Randy Yau | ... | production assistant |
Thanks
Russell Southam | ... | special thanks |