The creators of The Puppet Monster Massacre bring you a grindhouse spectacular filled with blood, boobs, special fx, and southern rock. This is the story of a religious cowboy, a lost soul,...
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The creators of The Puppet Monster Massacre bring you a grindhouse spectacular filled with blood, boobs, special fx, and southern rock. This is the story of a religious cowboy, a lost soul, and a beautiful one-eyed grease monkey fixing to exact bloody vengeance on the same undead S.O.B. He's a low-down, dirty, disgusting, depraved, sadistic, psychotic, hell-bent, grade F, Zombie A-Hole who preys on naked twin girls. He ain't gonna know what hit him! Written by
Three people-religious cowboy Frank Fulci (Josh Eal), one-eyed avenger Mecy (Jessica Daniels) and lost soul with a dark past Castor (Brandon Salkil) all have one thing in common-they are out to kill a zoot suite wearing zombie (also played by Salkil.) Said zombie has a connection to all three, and on the side likes to kill naked women. That's about it for the plot.
On paper, I should hate this movie. It calls itself a Grindhouse movie when the real thing died years ago. It overuses things like slow motion effects, and its nods to both genre films and beloved directors are tiresome. Yet in spite of all of that, I found myself enjoying the movie more than I thought I would. This is mostly because it's a genuine Independent movie made for almost no money (it cost about $3,000 to make), but it thankfully doesn't make the same mistakes nearly every other micro-budget zombie movies does. By that, I mean it doesn't make the plot overcomplicated, sticks to the basics, and manages to work within it's minuscule budget. There's no stabs at social commentary, a zombie apocalypse or fat in the story. This is a basic B-Movie with the three B's (Beasts, Boobs and Blood) that knows what it is.
There's also a lot more imagination here than in most no-budget zombie movies. A good example is the talking, shrunken corpse, which is a really nice touch. In fact, this is a movie with several nice touches (bloody p!ss raising the dead, an animated flashback and energy weapons) that all add to the everything-but-the-kitchen-sink nature of the film. Plus, it's clearly obvious that everyone involved is having a good time making this, and have no illusions about what it is they are making. Hell, a few of the cast members aren't too bad as actors, with Daniels in particular standing out. Finally, this may be favoritism, but this is from my home state. I gotta represent talent from here, especially if it's actually worth a damn.
I know that one could complain about the budget or that it looks like it was made by amateurs, but one must understand the limitations everyone is working with. Normally I would agree with such complaints, but I feel that this is a movie that manages to succeed in spite of those problems. Beside, as I said, there's more imagination going on here than what you normally get in today's zombie movies. that deserves at least some attention.
Is "Zombie A-Hole" A classic? Far from it, though it's obvious that those behind it didn't aim too high. They just wanted to make a no-brains Grindhouse tribute, and nothing more. It thankfully hits more than it misses, and those looking for a micro-budget zombie movie that actually tries something different might enjoy themselves.
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